by Adam Scovell
Visiting the scene of the director’s penultimate thriller, set in a bygone Covent Garden.
Michael Elliott’s 1968 teleplay The Year of the Sex Olympics imagines a society addicted to screens.
His portrayal of wild-eyed samurai warrior in Akira Kurosawa’s adaptation of ‘Macbeth’ is simply iconic.
Following in the existential footsteps of François Truffaut’s young protagonist, half a century on.
The elegance of the Vienna Conservatoire perfectly contrasts the raw brutality of Isabelle Huppert’s actions.
Howard Hawks’ 1940 film remains one of Hollywood’s finest and most radical comedies.
For all of its seething male energy, it’s the film’s young female lead who emerges as its star performer.
The fictional Mother Black Cap makes a brief but memorable appearance in Bruce Robinson’s cult comedy.
With The Young Girls of Rochefort, the French director created something wondrously original.
Adam Scovell visits the scene of one of the most disturbing moments in the history of British horror cinema.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.