Cannes Film Festival

A young man with a troubled expression on his face, holding a mobile phone to his ear.
Festivals

Enzo – first-look review

by David Jenkins

Robin Campillo completed this final feature by Laurent Cantet, a beautiful, bittersweet study of a teenage boy finding his way in life.
Interior of an aeroplane cabin with rows of beige seats, overhead compartments, and cabin crew visible.
Festivals

The 2025 Cannes Film Festival line-up is here!

by David Jenkins

Wes Anderson, Kelly Reichardt, Joachim Trier and Julia Ducournau are among the contenders for this year’s Golden Palm.
A person in a black robe holding up a white sheet of paper against a dark background.
Festivals

The Seed of the Sacred Fig – first-look review

by Mark Asch

An Iranian judge appointed to Tehran's Revolutionary Court grapples with dissent both at work and at home in Mohammad Rasoulof’s politically charged thriller.
Three young women sitting close together, looking pensive and thoughtful.
Festivals

September Says – first-look review

by Hannah Strong

Two sisters share an unshakable bond in Ariane Labed's uniquely strange feature debut.
Three women with concerned expressions, one with long dark hair, another with shorter light hair, and the third with dark hair. They appear to be in an outdoor setting against a blue background.
Festivals

The Balconettes – first-look review

by Hannah Strong

Noémie Merlant's sophomore feature, co-written by Celine Sciamma, is a riotous black comedy set on the hottest day of the year in Marseilles.
Silhouettes of 2 people facing each other in night, against blue-tinted background with bright lights
Festivals

Beating Hearts – first-look review

by Hannah Strong

An archetypal good girl meets a boy from the wrong side of the tracks in Gilles Lellouche's sweeping melodrama.
Two individuals, a man and a woman, conversing in front of a neon "BAR" sign in a dimly lit setting.
Festivals

Motel Destino – first-look review

by Rafa Sales Ross

A young enforcer for a Brazilian gangster finds himself hiding out at a sleazy sex hotel in Karim Aïnouz's neo-noir.
Couple embracing under night sky, surrounded by trees and string lights.
Festivals

All We Imagine as Light – first-look review

by Jenna Mahale

Payal Kapadia's first fiction feature is a gorgeous romance, concerning the lives of two contrasting nurses in present-day Mumbai.
A man with curly hair wearing sunglasses, a light jacket, and tie stands in front of a yellow taxi cab.
Festivals

Limonov: The Ballad – first-look review

by Isaac Feldberg

Ben Whishaw rises to the occasion of essaying the poet, provocateur and political dissident Eduard Limonov.
A group of people gathered around a vintage bus in a lush, overgrown environment, black and white image.
Festivals

Grand Tour – first-look review

by David Jenkins

A visually ravishing if emotionally and thematically opaque travelogue is the latest from Portuguese maestro, Miguel Gomes.

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