by Matt Hoffman
Kristen Stewart presents her visually arresting directorial debut at the 2017 Cannes Film Festival.
by Sophie Monks Kaufman
Adam Sandler delivers one of his rare affecting turns as one of the co-leads in Noah Baumbach’s family comedy.
by David Jenkins
The new film by Michael Haneke is not happy and doesn’t have an ending. Other than that, it’s harrowing business as usual.
A light but ultimately unnecessary recreation of Jean-Luc Godard’s late ’60s from director Michel Hazanavicius.
Robin Campillo’s rousing dramatisation of ’90s AIDS activism in France is a sure-fire Palme d’Or contender.
This barbed satire of art world pomposity questions the core beliefs of civilised society.
Another quietly astounding monochrome miniature on love and other demons from the great French director Philippe Garrel.
Agnès Varda douses the French landscape with art with the help of her new friend JR in this wonderfully eccentric road movie.
The art of flirting and flirting as art are the subjects of this extraordinary romcom from Claire Denis.
A sultry and sensational performance from Jeanne Balibar fuels Mathieu Amalric’s experimental music biopic.
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