Beginnings: Boris Karloff’s South London | Little White Lies

Beginnings

Begin­nings: Boris Karloff’s South London

09 Jan 2021

Words by Adam Scovell

Two-storey building with 'Sea Master' signage, framed in a white border against a coral pink background.
Two-storey building with 'Sea Master' signage, framed in a white border against a coral pink background.
Trac­ing the hum­ble ori­gins of one of hor­ror cinema’s most cel­e­brat­ed and impor­tant performers.

Images of Boris Karloff have become so ubiq­ui­tous in the years since he was work­ing that it’s some­times dif­fi­cult to com­pre­hend the man beyond them. Con­sid­er his name and the like­li­hood is that a num­ber of stark images from clas­sic hor­ror cin­e­ma will pri­mar­i­ly come to mind.

His nuanced por­tray­al of Frankenstein’s mon­ster in James Whale’s mon­u­men­tal pair of films, Franken­stein and The Bride of Franken­stein, laid the blue­print for a huge por­tion of hor­ror cin­e­ma to come, as well as defin­ing the more dar­ing aspects of Hol­ly­wood sound cin­e­ma in the short peri­od before the Hays Code kicked in. From a range of excep­tion­al­ly macabre roles for Uni­ver­sal and RKO (The Black Cat, Son of Franken­stein, The Body Snatch­er) to lat­er, more sar­don­ic per­for­mances in Euro­pean Hor­ror of the 1960s and 70s (Black Sab­bath, The Sor­cer­ers, Curse of the Crim­son Altar) he pro­duced one of the longest CVs of any lead­ing hor­ror actor.

Karloff bal­anced an unusu­al line between fan­tas­ti­cal Hol­ly­wood and a dis­tinct­ly British gen­til­i­ty. If any­thing, his broad screen per­sona came from his back­ground which began in the unlike­ly loca­tion of South Lon­don. His dis­tinct­ly clipped, patient deliv­ery, along with a calm but deter­mined man­ner ren­dered even his most vil­lain­ous of roles with a par­tic­u­lar­ly effec­tive charm. But equal­ly, his own per­son­al expe­ri­ences grow­ing up seem to have fil­tered into his per­for­mances too, result­ing in a con­fi­dent actor who could bring a sense of legit­i­ma­cy and human­i­ty to even the pulpi­est and mad­cap of char­ac­ters. This was a man who, even if about to flay some­one alive, could still believ­ably crave the qui­et trap­pings of a coun­try cot­tage, or bring melan­choly to the bul­lied cre­ations of madmen.

Karloff was born William Hen­ry Pratt on the 23 Novem­ber, 1887. He was the son of Edward John Pratt (a British Civ­il Ser­vant who worked for the Indi­an Salt Rev­enue Ser­vice and even­tu­al­ly for the India Civ­il Ser­vice under the aus­pices of the Gov­er­nor of Bom­bay) and his third wife Eliza Mil­lard. With con­nec­tions to India, there is still much spec­u­la­tion as to the pos­si­ble source of Karloff’s Indi­an her­itage account­ing for his com­plex­ion, with uncon­firmed sug­ges­tions of Indi­an fam­i­ly for both Edward and Eliza.

Many decades lat­er, Sara Karloff, Karloff’s only child with his fourth wife Dorothy Tine, sug­gest­ed that his racial expe­ri­ence grow­ing up led to his human­is­ing of a num­ber of his tor­ment­ed out­sider char­ac­ters, espe­cial­ly in the role that first trans­posed him into the cin­e­mat­ic lex­i­con. I think it was prob­a­bly due to his own per­son­al expe­ri­ences,” she told Mark Gatiss in his doc­u­men­tary, A His­to­ry of Hor­ror, as a young boy in school he expe­ri­enced a lot of prej­u­dice, and I think he brought some his own expe­ri­ence to his inter­pre­ta­tion of that role.”

William was the youngest of nine chil­dren that his par­ents begat, with three half-sib­lings from Edward’s first mar­riages, though one in par­tic­u­lar only sur­vived a sin­gle day. The actor spent the first sev­en years of his life liv­ing at 36 For­est Hill Road, next to the lawns and slop­ing gar­dens of Peck­ham Rye. His birth was reg­is­tered in Dul­wich and his ear­ly years are often attrib­uted to being spent in Sur­rey due to this part of Lon­don still tech­ni­cal­ly being part of that coun­ty in the era he was born.

Sea Master fish & chips shop sign on the front of a two-storey building with a dark green exterior.

Karloff would only live here with his fam­i­ly for a few years. They soon moved exten­sive­ly around Lon­don, Karloff him­self enjoy­ing a pres­ti­gious edu­ca­tion, first­ly at Enfield Gram­mar School and then the pri­vate board­ing school of Upping­ham in Rut­land. The hous­es were var­i­ous in Enfield and that area played a par­tic­u­lar­ly impor­tant role as his first stage per­for­mance occurred there at the age of nine, appro­pri­ate­ly play­ing the Demon King in a pro­duc­tion of Cin­derel­la at St. Mary Mag­da­lene Church on Wind­mill Hill.

Today Karloff’s first house on For­est Hill Road is split into flats, with a fish and chip shop in its main frontage. At the time of this vis­it, it was even avail­able to rent. In 1998, Eng­lish Her­itage adorned the build­ing where Karloff first lived with a blue plaque to com­mem­o­rate these unlike­ly hum­ble begin­nings for one of hor­ror cinema’s most cel­e­brat­ed and impor­tant per­form­ers. In spite of exten­sive work and hous­es in Hol­ly­wood, Karloff would move var­i­ous­ly around Lon­don and the Home Coun­ties in his lat­er years.

He lived in sev­er­al lav­ish flats between Knights­bridge and Kens­ing­ton before even­tu­al­ly retir­ing to a cot­tage named Round­about in the sup­pos­ed­ly para­nor­mal hot­pot of Bramshott in Hamp­shire where he passed away at the age of 81. How appro­pri­ate that this final rest­ing place was not only a final expres­sion of his ambi­tion to retain his gen­tile char­ac­ter in the face of uncan­ny Hol­ly­wood star­dom, but ulti­mate­ly a cot­tage cho­sen due to its haunt­ed nature; the actor still true to the spir­it of the ghoul­ish world that brought him his unri­valled success.

You might like