Truth and Movies

Shirley

Josephine Decker’s Shirley sees the incomparable Elisabeth Moss play Jackson, and Michael Stuhlbarg on wonderfully reprehensible form as her husband Stanley Hyman. The couple welcome newlyweds Fred and Rosie Nemser (Logan Lerman and Odessa Young) into their home as Fred takes up a teaching position alongside Stanley at the nearby Bennington College, but soon the couples’ lives become hopelessly entwined, and Shirley and Rosie develop a mutual fascination.

We’re delighted to bring you our tribute to this gorgeous beast of a film – but also, we’re delighted to be back more generally. When we produced and released our Food & Film issue, it was a scary time to be a print magazine dedicated to film (or scarier than usual, anyway).

Of course, there’s Josephine, Elisabeth and Michael, but we’ve also got interviews with Charlie Kaufman, Miranda July, Nia DaCosta, Ben Wheatley, Sope Dìrísù, Godfrey Channing Peoples and Antonio Campos. Now that’s a dream dinner party line-up.

In this issue…

On the Cover

Isip Xin‘s evocative portrait of Elisabeth Moss as Shirley Jackson – created with pastels, paint, and digital elements – captures the witchy vibe of the film. Isip also illustrated the rather dreamy endpapers, featuring the Vermont home of Jackson and Hyman, and the woods that surround them.

Unleash
Jourdain Searles profiles the endlessly fascinating creative force behind Shirley, Josephine Decker.

It’s Complicated
Hannah Woodhead speaks to Elisabeth Moss about her immensely impressive body of work, plus the ins and outs of playing a literary icon.

Pocketful of Irreverence
Adam Woodward meets the remarkable Michael Stuhlbarg, who gives a sterling performance as Shirley’s conniving husband Stanley Hyman.

Writer’s Rooms
We asked three artists – Jason Ngai, Miranda Harris and Adriana Bellet – to imagine what the studies of three legendary female screenwriters might have looked like.

The Sounds of Tamar-Kali
Lillian Crawford speaks to one of the hottest composers around, who’s a regular with Dee Rees and now lends her talent to Shirley.

A Shroom of One’s Own
John Semley delves into the on-screen history of the humble mushroom.

The 1001st Woman of Horror
Anton Bitel interviews Alexandra Heller-Nicholas about her latest book, ‘1000 Women in Horror’ which sings the praises of iconic and overlooked figures in this traditionally male-dominated genre.

In Dreams: A Conversation with Charlie Kaufman
To celebrate the release of both I’m Thinking of Ending Things and ‘Antkind’, David Jenkins chats to one of the most fascinating (and elusive) figures in film.

Threads
In her regular column on fashion and film, Christina Newland is on the prowl for one of the chicest accessories: cat eye glasses.

Illustrations in this issue by Laurène BoglioStéphanie SergeantSophie Mo, Jason Ngai, Adriana Bellet, Miranda Harris, Oliver Stafford and Amy Moss.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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