The Witch: Part 2 – The Other One is a wild… | Little White Lies

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The Witch: Part 2 – The Oth­er One is a wild action-thriller

29 Nov 2022

Words by Anton Bitel

Fiery explosion, soldiers in combat gear surrounded by flames and smoke.
Fiery explosion, soldiers in combat gear surrounded by flames and smoke.
This blood-soaked South Kore­an sequel picks up where The Witch: Part 1 left off, with a pair of super­nat­ur­al twins caus­ing havoc.

Writer/​director Park Hoon-jung goes back before mov­ing for­ward. The Witch: Part 2 – The Oth­er One (Manyeo 2: Lo go) may begin with a lit­tle girl in a barn, cov­ered in blood (though clear­ly not her­self hurt), which is not so far removed from the open­ing of The Witch: Part 1 – The Sub­ver­sion (2018), when lit­tle Koo Ja-yoon escaped a mys­te­ri­ous com­pound whose walls she had just paint­ed in the blood of others.

Ja-yoon had spent a decade there­after on the farm of her adop­tive fam­i­ly the Koos, like Kal-el hid­ing out and grow­ing up with the whole­some farm­ers the Kents – until, unable to over­come a chron­ic ill­ness, she came out of hid­ing and vio­lent­ly con­front­ed her past. So the first film mixed ado­les­cent rites of pas­sage with a gen­der-invert­ed, genre-switched Super(wo)man who might just be more like the teen supervil­lain from David Yarovesky’s Bright­burn (2019).

Part 2 is not about Ja-yoon – although she will even­tu­al­ly return – but, as its sub­ti­tle sug­gests, about anoth­er, sim­i­lar girl, known only as Ark 1 Datum Point (Shin Si-ah), who sim­i­lar­ly breaks free from a com­pound where she had been sub­ject­ed to genet­ic exper­i­ments since, even before, her birth. Yet anoth­er flash­back at the film’s begin­ning will go even fur­ther into the past – a very long time ago’, as a text cap­tion puts it – to what appears to be in fact the not so very long ago decade of the Nineties.

As a preg­nant teenag­er clings to her old cas­sette Walk­man despite the advent of her peers’ new­er, trendi­er MP3 play­ers, the school bus trans­port­ing them is about to come under vio­lent attack, all so that this young teen can be coopt­ed into a sin­is­ter genet­ic-engi­neer­ing pro­gramme, head­ed by Dr Baek (Jo Min-su) and her twin sis­ter – a pro­gramme which may make human­i­ty as redun­dant as the girl’s ana­logue per­son­al stereo.

Ark 1 Datum Point is that woman’s daugh­ter (or one of them), and a prod­uct of this pro­gramme. Left for dead after a raid-cum-mas­sacre in the Ark facil­i­ty, she walks out drenched in blood but mys­te­ri­ous­ly unscathed, and is almost imme­di­ate­ly abduct­ed by a car­load of gang­sters who also have Kyung-hee (Park Eun-bin) cap­tive as they try to force this ordi­nary civil­ian woman to sign over her family’s farm­house to them. After Ark 1 eas­i­ly crip­ples all the gang­sters, Kyung-hee stops her from killing them, and the girl ends up stay­ing with Kyung-hee and her broth­er Dae-gil (Sung Yoo-bin) in their home.

Young woman in checkered shirt and young man holding flashlight, standing in dark outdoor setting.

As her hosts teach Ark 1 the hith­er­to unknown plea­sures of human­i­ty – food, friend­ship, kind­ness and clemen­cy – oth­er par­ties cir­cle in: the gang­sters’ boss Yong-doo (Jon Goo), mutant agent Jo-hyeon (Seo Eun-soo) and her com­ic-relief assis­tant (Justin Har­vey) who have both been hired by Baek to elim­i­nate the girl (“these things can­not be out in the wild”); a local group of mutant agents led by Jang (Lee Jong-suk) and ordered by Baek to keep an eye on things; and a quar­tet of psy­chot­ic mutant assas­sins mys­te­ri­ous­ly recruit­ed from Shang­hai who have come back to fin­ish Ark 1 off, hav­ing failed to kill her in the Ark facil­i­ty (despite deliv­er­ing mul­ti­ple shots to her head).

This is like a scene from a movie,” com­ments Dae-gil, hav­ing seen the diminu­tive, demure-seem­ing Ark 1 effort­less­ly fight off an army of tough male gang­sters. He is not wrong. For The Witch: Part 2 – The Oth­er One is a hybrid recon­sti­tu­tion of genetic/​generic mate­r­i­al famil­iar from David Cronenberg’s Scan­ners (1981), the X‑Men ands Uni­ver­sal Sol­dier fran­chis­es, TV’s Dark Angel, Paul McGuigan’s Push (2009), and sleep­er agent’ nar­ra­tives like The Long Kiss Good­night (1996) and The Bourne Iden­ti­ty (2002).

The mutants – young, scared of noth­ing except occa­sion­al­ly one anoth­er, and filled with the arro­gance of youth and a cocky sense of their own appar­ent invin­ci­bil­i­ty – are often termed mon­sters’, and just as often live up to the title in all their cal­lous cru­el­ty. It is almost like a study in what moody ado­les­cents might be like if grant­ed immense, undue pow­ers. Younger than the rest, Ark 1 is dif­fer­ent – and where Ja-yoon in the first film mere­ly wore human­i­ty as a mask, Ark 1 seems gen­uine­ly to learn val­ues of restrain and mer­cy from Kyung-hee and Dae-gil, and shows a real poten­tial to assume a nor­mal fam­i­ly life with them, despite her unfath­omed capac­i­ty for destruc­tion. Inevitably, though, the oth­er mutants arrive, and the gloves come off.

What ensues is a series of effects-dri­ven con­fronta­tions in which grav­i­ty is defied, in which wounds, even miss­ing appendages, quick­ly heal, and in which immense, gory dam­age is done to the human(ish) body. Yet this is also a fam­i­ly saga which will end with sis­ters reunit­ed in search of their moth­er, and the promise of a third instal­ment, Mar­vel-style, in what is already a lengthy and some­what repet­i­tive arc.

The Witch: Part 2 – The Oth­er One is released on dig­i­tal plat­forms from 28th Novem­ber 2022 via Sig­na­ture Entertainment.

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