by Nathan Lewis
Through various creative uses of non-fiction filmmaking, Catarina Ruivo crafts a poetic space to reanimate the memory of her beloved grandmother.
by Oscar Aitchison
Bob Odenkirk is back as suburban dad/deadly assassin Hutch Mansell in in a sequel that, ultimately, nobody will remember.
Allegations made against the husband of a Swedish TV presenter drive the plot of Caroline Ingvarsson’s slow-burn debut feature.
by Laura Venning
An elite NYC matchmaker finds herself torn between money and love in Celine Song’s sophomore feature.
by Katherine McLaughlin
A married couple move to the countryside only to find their relationship tested in new and surprising ways in Michael Shanks’ body horror.
by David Jenkins
A novel but ultimately unsatisfying look at the life and art of Eminem through the eyes of his most obsessive fans.
On Truth & Movies this week, we discuss new releases Weapons and Freakier Friday and revisit Freaky Friday for Film Club.
by Hannah Strong
Zach Cregger sticks to what he knows in his sophomore horror about missing kids and small-town madness.
by Yasmine Kandil
Lindsay Lohan and Jamie Lee Curtis reprise their roles as the mother-daughter duo that accidentally swapped bodies in 2003, and the results are… okay.
by Sophie Monks Kaufman
A dispatch from a passionate grassroots project over in Finsbury Park.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.