As a new version of Christian Tafdrup's chilling 2022 horror Speak No Evil hits cinemas, we explore the cult of the Anglicised remake.
By Juan Barquin
While considered by many to be minor works, Serial Mom and A Dirty Shame represent some of our contemporary concerns and anxieties while offering a surprisingly wholesome view of queer community.
By Grace Dodd
Charli XCX's cultural phenomenon speaks to a cinematic canon of reckless, ruthless movies – putting women and girls front and centre.
An expansive, 50-film chronology looking back at the history of films directed by female actors.
In the cinema of Pedro Almodóvar, gender proves more fluid and arbitrary than in much of contemporary cinema.
By Bella Madge
Although Powell and Pressburger's 1946 fantastical war romance might not be the first film that springs to mind as a bildungsroman, it offers a powerful guiding sentiment.
LAIKA's Frame x Frame exhibition is a compact but detailed deep dive into how the studio approaches the mechanics of the medium.
By Shelby Cooke
Established during the 2020 pandemic, Film East is a collective of global movie lovers who have come together to write and screen work they're passionate about. Their founder shares how it all began.
By Rory Kiberd
Gabbing guests, flashing phone fans – is there no end to the crimes of the modern cinema audience?
By Carly Mattox
From Downton Abbey to an Alpine horror via plenty of unnerving roles, Dan Stevens is forging his own fascinating path through filmmaking.
By Lewis Powell
A relatively new concept in exhibition, these neurodivergent-friendly events aim to widen cinema participation – but there's still a long way to go.
As Cate Blanchett stars in Borderlands, we survey her various forays into the world of high budget, high profile filmmaking.
The great Naomi Ackie graces the vibrant cover of our new issue celebrating Zoë Kravitz’s directorial debut.
By Sam Moore
On the late night programming block of an American television channel a series of bleak parody shorts riff on the relationship between the internet and spectatorship.
A new crop of films exploring the tension that comes with trying to assimilate in a new country ring true for one writer.
As Prince's groundbreaking feature debut turns 40, its daring attitude towards gender and sexuality still feels revolutionary.
As Risky Business enters the Criterion Collection, we plot the trajectory of a star seemingly incapable of burning out.
From an average anatomy baseball player to a sarcastic personal assistant, Hollywood's newly anointed man of the moment appears to have figured out the formula for success.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
