David Fincher transports viewers to a bygone… | Little White Lies

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David Finch­er trans­ports view­ers to a bygone Hol­ly­wood in the Mank trailer

08 Oct 2020

Words by Charles Bramesco

Black-and-white image of a woman wearing a feathered hat and coat, sitting at a table with glasses.
Black-and-white image of a woman wearing a feathered hat and coat, sitting at a table with glasses.
The director’s first fea­ture film in six years tells the sto­ry of how Cit­i­zen Kane was written.

We the David Finch­er faith­ful have gone months and months with lit­tle more intel on his lat­est film Mank than a vague plot syn­op­sis and, as of a few weeks ago, a hand­ful of still images. At last, the flood­gates have been opened, and the patient are now reward­ed with an eye­ful of the film’s gor­geous first trailer.

Styled like a Gold­en Age siz­zle reel, the clip lays out the con­flict between the two cre­ators of Cit­i­zen Kane: famed direc­tor Orson Welles (played by Tom Burke, recent­ly of The Sou­venir) and screen­writer Her­man J Mankiewicz (Gary Old­man). Their dis­put­ed parent­age of this hit film’s script tears the men apart, and leads to ruin for Mank as Welles goes on to one of the most illus­tri­ous careers in Hol­ly­wood history.

The trail­er goes light on expo­si­tion, instead flit­ting through a series of images free of con­text – we see Mank laid up in bed, drunk­en­ly stum­bling around the back­lot, gen­er­al­ly mak­ing a spec­ta­cle of him­self and sab­o­tag­ing his own career. A cou­ple of shots direct­ly evoke the pho­tog­ra­phy of Cit­i­zen Kane, in par­tic­u­lar the image of the bot­tle falling from Mank’s hand like the snow globe from Charles Kane’s in his dying moments.

The production’s com­mit­ment to the old-timey style per­me­ates the entire trail­er, which begins with a vin­tage MPAA title card and even dress­es stream­ing giant Net­flix up to mim­ic the logo of stu­dio RKO. Antic­i­pate much dis­cus­sion of the fric­tion cre­at­ed between Fincher’s fideli­ty to the era he’s evok­ing, and the streak­less clean fin­ish of the dig­i­tal cam­eras he uses.

For rea­sons cur­rent­ly unclear, Net­flix has also cut a sec­ond, slight­ly longer trail­er for release on Red­dit, hotbed of Finch­er fan­dom that it is. In the alter­nate clip, we get a bet­ter view of Lily Collins as Mank’s late-in-life nurse.

Mank will come to select the­aters in Novem­ber, and then arrive on Net­flix in the US and UK on 4 December. 

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