Ex-Rent Hell presents… Soul Man | Little White Lies

Ex-Rent Hell

Ex-Rent Hell presents… Soul Man

28 Jun 2016

Words by Adam Lee Davies

Vintage room with large book, television, and other items on a wooden table.
Vintage room with large book, television, and other items on a wooden table.
Remem­ber this 80s com­e­dy that ques­tioned whether the Civ­il Rights Move­ment was just a col­lec­tive hallucination?

Ex-Rent Hell is a col­umn ded­i­cat­ed to the seami­er side of the 1980s VHS boom. Each week, ERH selects a film from this cursed era and asks one sim­ple ques­tion: what went wrong?

As eth­i­cal­ly sketchy and cav­a­lier that any of the cin­e­mat­ic abom­i­na­tions that Ex-Rent Hell has yet ush­ered into your pres­ence, this 1986 jour­ney through the nine-dimen­sion­al labyrinth of pos­i­tive dis­crim­i­na­tion is as ele­gant and worth­while as tits on a bull.

Wast­ing no time in mess­ing with our moral gyro­scopes, direc­tor Steve Miner’s would-be under­dog yarn encour­ages us to root for over-priv­i­leged, white­bread slap-mag­net Mark Wat­son (C Thomas How­ell). He tram­ples over every minor­i­ty that gets in his way in order to win a schol­ar­ship to that Promethean cra­dle of over­ar­ch­ing human ide­al­ism: Har­vard Law School.

His rich and fad­dish father, we learn, has tak­en his therapist’s throw­away advice about unshack­ling him­self from soci­etal­ly-imposed fam­i­ly oblig­a­tions to heart and has bestowed upon his son the great­est gift he has to give by cut­ting him off with­out a red cent. This forces the boy to become a man by pay­ing his own col­lege tuition to the tune of $50,000. Mark is, how­ev­er, noth­ing it not his father’s son, and dad most assured­ly did not get where he is today by hard graft.

After vis­it­ing a chum who’s attend­ing Sun-Tan Lotion Col­lege”, Mark downs a hand­ful of untest­ed pills that pig­ment his skin the colour of milky cof­fee. He slips on some Ray Bans and – with no indi­ca­tion as to how he teased his glis­ten­ing slick of chest­nut hair into a ser­vice­able Afro – jive-talks his way into a schol­ar­ship reserved for the most promis­ing black stu­dent in LA. Yes, Mark has browned up’.

Once on cam­pus, the film is free to divide its time between mak­ing cap­i­tal of white assump­tions that all African-Amer­i­cans are either Black Pan­thers or hep­cat pimp-dad­dies. It dis­pels such myths as innate bas­ket­ball prowess and across-the-board good for­tune in the trouser depart­ment. The whole thing pounds to the kind of racial insou­ciance that might have held a mourn­ful beat on a rusty tin lid in pre-Bel­lum Mis­sis­sip­pi, but must have sound­ed more like the Banana Boat Song to polit­i­cal­ly cor­rect mid-’80s audi­ences. This Ken­tucky-fried flim-flam con­tin­ues until our under­cov­er broth­er falls in love with the girl whose schol­ar­ship he swiped, and all kinds of racial, class and gen­der hell breaks loose.

Although look­ing only slight­ly more authen­ti­cal­ly African-Amer­i­can than an iced bun, How­ell is quite win­ning in the role that com­plete­ly derailed his promis­ing career. He is sup­port­ed by a strong cast head­ed up by James Earl Jones, dis­tin­guish­ing him­self as Mark’s gnarly-but-benign Crim­i­nal Law pro­fes­sor. A proud black edu­ca­tor who gives his stu­dents of colour no spe­cial treat­ment, Jones stands apart from the film’s broil­ing eth­nic mael­strom until the script forces him to blot his copy­book by refer­ring to the bulk of his class as white shits”. Also of note is an ear­ly show­ing by Elaine from mis­an­throp­ic TV smash Sein­feld as Mark’s old high­school pal named… Lisa Simp­son. None of them, how­ev­er, can divert the film’s kamikaze plot­ting from zero­ing in on a Pearl Har­bour of racial iniquity.

After a would-be far­ci­cal scene revolv­ing around an unex­pect­ed vis­it from Mark’s par­ents, his white girl­friend, his black girl­friend, a selec­tion of ski masks and a Beach Boys med­ley, our pro­tag­o­nist reluc­tant­ly comes clean. The lit­tle turd should be look­ing at an edu­ca­tion­al stint in the Big House, but instead, Pro­fes­sor Jones and the school board are so impressed by the life lessons that this brass-necked yahoo has learned dur­ing his time en noir that they accede to an out­ra­geous pro­gram of guilt-assuag­ing mar­tyr­dom that sees Mark allowed to con­tin­ue his stud­ies as a honky. The mis­ap­pro­pri­at­ed schol­ar­ship reverts to its right­ful recip­i­ent and the rest of us are left won­der­ing whether the Civ­il Rights Move­ment was a col­lec­tive hallucination.

This arti­cle was orig­i­nal­ly pub­lished in LWLies 24: the Mes­rine issue.

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