Watch a selection of incredible short films by… | Little White Lies

Watch a selec­tion of incred­i­ble short films by emerg­ing talent

20 Mar 2018

Swimming pool with two figures in swimwear, one on the edge and one in the water.
Swimming pool with two figures in swimwear, one on the edge and one in the water.
Grace Lee’s beguil­ing ani­ma­tion The Baths is one of over 300 films screen­ing at Play­back Fes­ti­val 2018.

This year’s Play­back Fes­ti­val brings togeth­er over 300 short films made by young artist film­mak­ers from across Eng­land. Among them is Grace Lee, an artist work­ing across ani­ma­tion, draw­ing and paint­ing who grad­u­at­ed with a BA in Fine Art from Gold­smiths in 2017. We spoke to Grace about how she got start­ed in ani­ma­tion, and what inspired her to make The Baths, a clip of which you can watch below.

I’ve always loved the process of ani­ma­tion and first start­ed by mak­ing very basic (by which I mean real­ly bad) ani­ma­tions in MS Paint and Win­dows Movie Mak­er soon after my fam­i­ly got our first com­put­er when I was about sev­en years old.

I grad­u­al­ly improved my soft­ware and draw­ing tools, and I made a few short films for art projects in school. At uni­ver­si­ty, I moved away from nar­ra­tive film for a while and worked on some small loop­ing ani­ma­tions. These are much faster to do, and it avoid­ed ded­i­cat­ing a whole year of my degree to one piece of work. When I saw the ICA were doing an open call for film pro­pos­als I was very excit­ed to try some­thing longer again.

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The idea for The Baths first came from vis­it­ing my friend’s stu­dio at Gold­smiths, in a build­ing that used to be a pub­lic swim­ming pool. A lot of the orig­i­nal struc­tures are still there, like the cubi­cles and the bal­cony, and I always felt a strange melan­choly when I was there. There’s some­thing about repur­posed build­ings that seems strange­ly sad, as if the ghost of their for­mer pur­pose is still here. It remind­ed me of a place I vis­it­ed sev­er­al times as a child. My fam­i­ly used to go on hol­i­day in Mat­lock Bath.

I don’t know why, but for a while in my ear­ly child­hood this was a year­ly occur­rence. It’s a strange place in itself, with a lot to do with fairy tales and witch­craft, but there’s an aquar­i­um there (which is attached to a holo­gram muse­um, anoth­er quirk of the town), and at the back there’s an aban­doned swim­ming pool that’s been turned into a big Koi Pond. We always went at night and there’s no ceil­ing on the build­ing, so my mem­o­ry is of this dark, decay­ing struc­ture that was once some­thing quite grand – and now there are fish there.

It’s not exact­ly a sad place, and I don’t think my film is exact­ly a sad film, but there’s some­thing sad there any­way. This was what I want­ed to explore, those feel­ings of loss, nos­tal­gia and long­ing – and fish in a swim­ming pool.”

Play­back is a joint ini­tia­tive between Arts Coun­cil Eng­land and Chan­nel 4 aimed at devel­op­ing young people’s skills and pro­vid­ing them with entry points to the arts and cre­ative industries.

All 300 plus short films at Play­back Fes­ti­val were made as part of a joint ini­tia­tive between Arts Coun­cil Eng­land and Chan­nel 4 Ran­dom Acts, and have been tour­ing the coun­try for the past year as part of the Play­back Exhi­bi­tion. The film offer a snap­shot of a nation­al expe­ri­ence and reveal the pow­er of film in a chang­ing world.

Play­back Fes­ti­val is entire­ly free and takes place at ICA Lon­don between 21 – 25 March. Some events are sold out, but you can still grab tick­ets from the ICA web­site. Keep updat­ed via @ICALondon and #Playback2018

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