By Robyn Quick
Benjamin Millepied’s reimagining of Georges Bizet's classic opera is beautiful to behold, but lacks musical pizzazz.
Femininity, pathos, generational trauma and collective memory converge in Pedro Almodóvar’s latest masterpiece.
Pedro Almodóvar is back to his very best with this beautiful, quietly devastating portrait of a broken woman.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
