By Anton Bitel
David Gordon Green returns in his role of classic horror reboot guy to exhume and retool William Friedkin’s The Exorcist for new audiences. The results are not pretty at all.
Tony Soprano’s teenage years take centre stage in Alan Taylor’s prequel to the legendary television series.
The controversy surrounding Sia’s directorial debut should not distract from its basic cinematic failings.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
