Lisbeth Salander is back – with a new cast and a new director – in this weak attempt to revive the Dragon Tattoo franchise.
By Matthew Eng
Boots Riley’s surrealist vision of corporate servitude is a comedy with plenty of willpower and zero apologies.
By Elena Lazic
Adam Wingard strips a classic manga story of its cultural relevance in this regrettable adaptation.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
