By Hannah Strong
An all-star cast can't save this predictable, often irritating attempt at putting a twist on Agatha Christie's The Mousetrap.
By Adam Woodward
As Rian Johnson’s difficult second album, The Brothers Bloom is more an anti-climax than a letdown.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.