Little White Lies - Movie Reviews and News

Little White Lies - Movie Reviews and Articles

Read Greetings Earthlings: The tactile joy of puppets in space

Greetings Earthlings

Hard Craft by Henry Bulmer

The tactile joy of puppets in space

Read it
Deep Cuts

Celebrating the Splendour, Anarchy and Creative Genius of Sandy Powell

by Desirae Embree

Maggie Gyllenhaal’s reimagining of James Whale’s 1935 classic The Bride of Frankenstein marks 40 years in the singular career of costume designer Sandy Powell.
In Praise Of

The Unspoken Desire of Dečki

by Vuk Winrow

In a landmark piece of Slovenian cinema, Stanko Jost articulated the challenges and beauty of queer desire. 

LWLies 112: The Father Mother Sister Brother issue – Out now!

We deliver a fully-illustrated salute to Jim Jarmusch’s Golden Lion-winning triptych film about the pain and joy of having parents. 

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Latest reviews

Two men in corridor, one in beige shirt covering face, other in yellow shirt behind him. Police officers in dark uniforms visible in background.
Review

Dead Man’s Wire review – watchable, but struggles to justify its existence

by Leila Latif

Gus Van Sant’s thriller based on the true story of Tony Kiritsis is compelling but offers little to an already rich subgenre.

3
Anticipation
3
Enjoyment
3
In Retrospect
Review

Abode review – ultimately forgettable

by Luisa Blacker

A set of five disparate stories on the topic of home make up this underwhelming anthology feature by Irish writer/​director Liam O Mochain.

3
Anticipation
3
Enjoyment
2
In Retrospect
Review

The Good Boy review – needs a tighter leash

by Billie Walker

A young hooligan is subject to a twisted kidnapping in Jan Komasa’s lacklustre psychological thriller.

3
Anticipation
3
Enjoyment
2
In Retrospect
Review

Arco review – primary-colour, major-key storytelling

by Michael Leader

Ugo Bienvenu’s feature debut is equal parts polished and particular, whimsical and weird.

4
Anticipation
4
Enjoyment
4
In Retrospect
Review

Project Hail Mary review – an entertaining adventure, not a memorable one

by Hannah Strong

Ryan Gosling’s charisma is what really sells this adaptation of Andy Weir’s novel about a science teacher-turned-astronaut stranded in space.

3
Anticipation
4
Enjoyment
3
In Retrospect
Man in black coat and bowler hat walking on wet path between bare trees, viewed from behind on overcast day.
Review

La Grazia review – trite banalities across the board

by David Jenkins

Paolo Sorrentino’s latest tries to recapture the unruly political bite of his early films, with mixed results.

3
Anticipation
2
Enjoyment
2
In Retrospect
View all

Features

SXSW

Forbidden Fruits – first-look review

by Monica Castillo

A mall-haunting girl gang channel the spirit of Mean Girls and Jawbreaker in Meredith Alloway’s fun take on teen tensions.
Hard Craft

Greetings Earthlings: The tactile joy of puppets in space

by Henry Bulmer

Project Hail Mary is the latest film to employ the art of puppetry to bring an alien to life.
SXSW

Mike & Nick & Nick & Alice – first-look review

by Monica Castillo

With snappy dialogue, destructive all-out fight scenes and great cast rapport, BenDavid Grabinski delivers an action comedy that punches well above its weight.
SXSW

Over Your Dead Body – first-look review

by Monica Castillo

Jason Segel and Samara Weaving play a married couple on the outs and ready to kill in Jorma Taccone’s uproariously funny horror comedy.
Deep Cuts

Celebrating the Splendour, Anarchy and Creative Genius of Sandy Powell

by Desirae Embree

Maggie Gyllenhaal’s reimagining of James Whale’s 1935 classic The Bride of Frankenstein marks 40 years in the singular career of costume designer Sandy Powell.
Long Read

The Tree of Life Effect

by Maia Wyman

The imagery of Terrence Malick’s 2011 masterpiece has borne plentiful fruit – for better or for worse.
View more

Club LWLies Exclusives

Deep Cuts

Celebrating the Splendour, Anarchy and Creative Genius of Sandy Powell

by Desirae Embree

Maggie Gyllenhaal’s reimagining of James Whale’s 1935 classic The Bride of Frankenstein marks 40 years in the singular career of costume designer Sandy Powell.
Two men in black tops against pastel pink and blue cloudy background with scattered geometric shapes and symbols.
Deep Cuts

Playground Love: How Air scored The Virgin Suicides

by Paul Weedon

The French electronic duo were the musical backbone behind Sofia Coppola’s startling debut. A 25th anniversary reissue saw them reconstructing much of their work from scratch.
Illustration depicting a close-up of a fantasy warrior figure with a face painted in bold, vibrant colours of blue, yellow, and red. The figure wears ornate, armoured clothing.
Deep Cuts

Life is a B-Movie: Joe D’Amato’s Bizarre Prophecy of 2025

by Mila Fielker

A dystopian retro-future of telepathic mutants, gladiators and fascists – does Joe D’Amato’s vision of 2025 show any resemblance to our current reality?
Deep Cuts

The New Bootlegs: Open Matte Films & Unofficial Scans

by Lexie Corbett

The unofficial, often open matte scans of these films preserve a tactile history of cinema in its imperfect totality.
Deep Cuts

When pop stars become auteurs

by Anna McKibbin

The visual album is a key, genre-defying vessel for pop music titans transferring the symbolic power of their music to image-making.
Deep Cuts

The complicated legacy of heavy metal in cinema

by Sarah Cleary

Metal is often given short shrift at the movies, but a handful of great auteurs have used the genre and its subculture to brilliant effect.
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