Why are campus rapists treated better than their… | Little White Lies

Why are cam­pus rapists treat­ed bet­ter than their victims?

10 Jun 2016

A large crowd of people, mostly young, holding protest signs with slogans about sexual assault and campus safety. The signs feature bold red and black text on white backgrounds. The crowd is gathered outside a building with large windows.
A large crowd of people, mostly young, holding protest signs with slogans about sexual assault and campus safety. The signs feature bold red and black text on white backgrounds. The crowd is gathered outside a building with large windows.
Vital doc­u­men­tary The Hunt­ing Ground gives a voice to the sur­vivors of sex­u­al attacks.

The pow­er­ful state­ment writ­ten by Stan­ford cam­pus rape vic­tim, Emi­ly Doe, has been read close to 15 mil­lion times at the time of writ­ing. Its vis­i­bil­i­ty is a reflec­tion of the 23-year-old’s com­pelling elo­quence but also the time­li­ness of her illus­tra­tion of the dam­age caused when vic­tims of sex­u­al abuse are giv­en less con­sid­er­a­tion then their assailants. Any­one fol­low­ing the Brock Turn­er case will be famil­iar with Judge Aaron Persky’s jus­ti­fi­ca­tion for the six month coun­ty jail sen­tence giv­en to the for­mer stu­dent found guilty on three counts of sex­u­al­ly assault­ing an uncon­scious woman. Any longer would have a severe impact” on the promis­ing and baby-faced cham­pi­on swimmer.

Direct­ed by Kir­by Dick, The Hunt­ing Ground is a great film to watch to under­stand the scale of America’s cam­pus rape prob­lem and the far-reach­ing rea­sons why it is rou­tine­ly brushed under the rug. The doc­u­men­tary (a the­mat­ic fol­low-up to The Invis­i­ble War, about rape in the US mil­i­tary) is root­ed in damn­ing sta­tis­tics and coloured by an end­less pro­ces­sions of young faces singing the same abhor­rent song. They were raped. They went to their col­leges. They were dis­missed – often by author­i­ties who turned the blame around onto them.

So many sur­vivors come for­ward and say that my rape was bad but the way I was treat­ed after­wards was worse,” says Annie Clark, who was raped at Uni­ver­si­ty of North Car­oli­na before her first year class­es even began. After being dis­re­gard­ed by her col­lege, she and fel­low stu­dent sur­vivor, Andrea Pino, did some deep research and dis­cov­ered that they could appeal to the board of edu­ca­tion to take action against their col­lege for neglect­ing to pro­vide a safe atmos­phere for stu­dents. As the film pro­gress­es, and the girls devel­op sur­vivor net­works across the whole coun­try, edu­cat­ing oth­ers on how to take sim­i­lar action (known as Title IX) hope and sad­ness inter­twine. It’s won­der­ful that sur­vivors are becom­ing activists and forc­ing progress, but dis­ap­point­ing that they have to take jus­tice into their own hands.

Why do the-pow­ers-that-be have more invest­ed in pro­tect­ing rapists than in look­ing after their vic­tims? The Hunt­ing Ground shows this invest­ment as a lit­er­al one. Stu­dents accused of rape are more like­ly to sue than their vic­tims, and a pub­lic scan­dal is always bad for busi­ness­es. We are giv­en a light­ning analy­sis of col­leges as busi­ness­es, striv­ing to main­tain a gleam­ing image for the sake of prospec­tive stu­dents and donors. Numer­ous times I was tak­en aside by a senior, tenured female fac­ul­ty per­son and told the way to make it at Har­vard was to be a duti­ful daugh­ter. If you hear it, pre­tend you didn’t. If you see it, you shut up about it,” says Har­vard pro­fes­sor, Kim­ber­ly Thei­don, who coin­ci­den­tal­ly lost her tenure when she spoke about what she saw.

The stakes are mul­ti­plied for the col­lege when the accused is an ath­lete and there­fore a lucra­tive cog in a mil­lion-dol­lar sports-busi­ness net­work. Mean­while, as the con­ser­v­a­tive machine grinds onwards, rapists are learn­ing that there are no con­se­quences to per­pe­trat­ing sex crimes. The most reveal­ing of all sta­tis­tics is that less than eight per cent of men in col­lege cause 90 per cent of the assaults, so pun­ish­ment in the first instance could save a vast num­ber of would-be victims.

There has been much quib­bling and nit­pick­ing about indi­vid­ual case stud­ies by crit­ics of The Hunt­ing Ground but they ignore the vital impor­tance of its breadth. This nation­wide pic­ture of abuse fol­lowed by neglect is only deni­able if you believe that hun­dreds of thou­sands of peo­ple lie and feign the after-effects of trau­ma every year, which is only believ­able if you are a sex­ist con­spir­a­cy theorist.

Those who accuse the doc­u­men­tary of hav­ing an agen­da are right because there is no such thing as jour­nal­is­tic objec­tiv­i­ty or film­mak­ing impar­tial­i­ty or per­son­al neu­tral­i­ty when it comes to review­ing the treat­ment of rape vic­tims. We either choose to believe sur­vivors of sex­u­al assault and advo­cate for a world that cares for them, or we dis­miss and silence their pain, because it’s incon­ve­nient and cost­ly to do oth­er­wise. The Hunt­ing Ground is great because it shows the val­ues of estab­lish­ments that rou­tine­ly fail those who most need to have their faith in human­i­ty restored, there­fore show­ing exact­ly which val­ues need to be chal­lenged in order to show sol­i­dar­i­ty with sex­u­al assault survivors.

The Hunt­ing Ground is avail­able to watch on Netflix.

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