Toronto Film Festival | Little White Lies

Toronto Film Festival

A close-up of a woman's face with a contemplative expression, lit by warm, golden light.
Festivals

The Death and Life of John F Donovan – first look review

by Hannah Strong

Xavier Dolan’s over­ly earnest, star-packed dra­ma con­cerns the untime­ly demise of an Amer­i­can TV idol.
Three women, two Black and one mixed race, sit together on a sofa, smiling and engaged in conversation. The warm lighting and colourful interior suggest a cosy, domestic setting.
Festivals

If Beale Street Could Talk – first look review

by Hannah Strong

Bar­ry Jenk­ins’ faith­ful adap­ta­tion of James Baldwin’s heart­break­ing love sto­ry is pure cin­e­mat­ic poetry.
Older man in suit standing on wooden fence, thoughtful expression
Festivals

The Old Man & the Gun – first look review

by Hannah Strong

Hol­ly­wood icon Robert Red­ford plays a charm­ing career crim­i­nal in his final ever screen performance.
Woman in white t-shirt and holding electric guitar performing at a microphone.
Festivals

Her Smell – first look review

by Hannah Strong

Elis­a­beth Moss is on show­stop­ping form as a self-destruc­tive punk singer in Alex Ross Perry’s man­ic medi­a­tion on fame.
A woman wearing a dark top cradling the head of a young woman lying on a bed, their faces in close proximity.
Festivals

Greta – first look review

by Caitlin Quinlan

Chloë Grace Moretz and Isabelle Hup­pert star in this dark­ly com­ic thriller from direc­tor Neil Jordan.
A person wearing a white t-shirt and looking out of a vehicle window.
Festivals

Mid90s – first look review

by Hannah Strong

Jon­ah Hill’s direc­to­r­i­al debut is a mov­ing por­tray­al of ado­les­cent iso­la­tion set with­in Los Ange­les’ ​’90s skat­ing scene.
A middle-aged woman wearing glasses and a plaid shirt sitting at a cluttered desk, surrounded by various books and office equipment.
Festivals

Can You Ever Forgive Me? – first look review

by Hannah Strong

Melis­sa McCarthy proves her dra­mat­ic chops as a lit­er­ary forg­er in Marielle Heller’s fol­low-up to The Diary of a Teenage Girl.
A serious-looking Black woman with a stern expression, wearing a dark top, against a wooden background.
Festivals

Widows – first look review

by Hannah Strong

Steve McQueen turns his for­mi­da­ble film­mak­ing tal­ent to the heist genre with impres­sive and pas­sion­ate results.
A woman with blonde hair, wearing a dark military-style jacket, looks startled and raises her hands defensively in front of a wooden doorway.
Festivals

Halloween – first look review

by Hannah Strong

Jamie Lee Cur­tis faces her old adver­sary once again in David Gor­don Green’s thrilling John Car­pen­ter-approved sequel.
Man in dark suit speaking to a crowd of people in a dimly lit auditorium.
Festivals

The Front Runner – first look review

by Hannah Strong

Hugh Jack­man makes head­lines for all the wrong rea­sons in Jason Reitman’s biopic of would-be pres­i­dent Gary Hart.

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