Toronto Film Festival | Little White Lies

Toronto Film Festival

Man wearing a white hat and burgundy patterned jacket, seated against a backdrop of film posters.
Festivals

Dolemite Is My Name – first look review

by Charles Bramesco

Eddie Mur­phy brings his elec­tric pres­ence and a whole lot of F‑bombs to this amus­ing behind-the-scenes film­mak­er biopic.
Group of 5 people in office setting, 3 men and 2 women in formal attire, standing and sitting with serious expressions.
Festivals

Bad Education – first look review

by Hannah Strong

Hugh Jack­man is rot­ten to the core in Corey Fin­ley’s bit­ing black com­e­dy about pub­lic school embezzlement.
Anime-style character standing in heavy rain, silhouetted against grey sky.
Festivals

Weathering with You – first look review

by Kambole Campbell

Mako­to Shinkai’s bliss­ful fol­low-up to his 2016 smash, Your Name, plants teen romance in a cli­mate change disaster.
Woman in glasses with a contemplative expression.
Festivals

How to Build a Girl – first look review

by Katie Goh

This nifty adap­ta­tion of Caitlin Moran’s 2014 best­seller boasts a charm­ing cen­tral turn by Beanie Feldstein.
Two people, a man and a woman, standing together in a dimly lit setting, with outdoor lights illuminating the scene.
Festivals

Color Out of Space – first look review

by Kambole Campbell

Shape-shift­ing aliens take on Nic Cage’s cus­tom­ary rage crescen­do in this new hor­ror film by the great Richard Stanley.
Two soldiers in the air, surrounded by other soldiers in a forest setting.
Festivals

Jojo Rabbit – first look review

by Hannah Strong

Tai­ka Wait­i­ti plays an imag­i­nary Adolf Hitler in this chron­i­cal­ly soft-edged, wannabe satir­i­cal comedy.
A middle-aged man in glasses and a red tie sitting with a plush toy.
Festivals

A Beautiful Day in the Neighborhood – first look review

by Hannah Strong

Matthew Rhys and Tom Han­ks are on top form in Marielle Heller’s charm­ing bio­graph­i­cal dra­ma about an Amer­i­can TV legend.
Two women, one adult and one child, interacting through a glass window, with the child wearing a pink bracelet.
Festivals

Proxima – first look review

by Katie Goh

Eva Green is an astro­naut prepar­ing to leave her young daugh­ter for a year-long mis­sion in Alice Winocour’s emo­tion­al fourth feature.
Two women engaged in conversation, one with blonde hair wearing a black top, the other with dark hair wearing a grey jacket.
Festivals

The Truth – first look review

by Charles Bramesco

The Japan­ese mas­ter of fam­i­ly obser­va­tion, Hirokazu Kore-eda, heads to Paris for his Eng­lish lan­guage debut.
Group of people sitting at a table, enjoying food and drinks in a cafe-like setting.
Festivals

Waves – first look review

by Hannah Strong

This euphor­ic, music-pow­ered fam­i­ly dra­ma from Trey Edward Shults is a mod­el of ten­der­ness and heartbreak.

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