Toronto Film Festival | Little White Lies

Toronto Film Festival

Festivals

Hard Truths – first-look review

by Mark Asch

Reuniting with Marianne Jean-Baptiste, Mike Leigh makes a welcome return to contemporary filmmaking with a searing portrait of a woman on the brink.
Festivals

We Live in Time – first-look review

by Mark Asch

John Crowley delivers a millennial cancer weepie with two game leads in Florence Pugh and Andrew Garfield.
Festivals

The End – first-look review

by Mark Asch

Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are always just a little too strident.

2
Anticipation
4
Enjoyment
3
In Retrospect
Festivals

Boy Kills World – first-look review

by Charles Bramesco

A deaf-mute young man swears revenge on the group that murdered his family in Moritz Mohr’s bloodthirsty but tedious directorial debut.
Festivals

Dream Scenario – first-look review

by Mark Asch

Nicolas Cage plays an otherwise unremarkable college professor who unexpectedly finds himself appearing in peoples’ dreams in Kristoffer Borgli’s latest satire.
Festivals

Poolman – first-look review

by Charles Bramesco

There’s a whole lot of Chinatown in Chris Pine’s directorial debut Poolman, an Angeleno neo-noir with a script that gives Robert Towne more than fair grounds to sue for damages.
Festivals

Next Goal Wins – first-look review

by Mark Asch

Taika Waititi is way-too eager to please with this aggressively feel-good comic fictionalisation of the lovely 2014 documentary of the same name.
Festivals

Woman of the Hour – first-look review

by Charles Bramesco

Anna Kendrick’s directorial debut, about a abused upstart actress and a serial killer in her midst, says all the right things, but too loud and too often.
Festivals

Do Not Expect Too Much from the End of the World – first-look review

by Mark Asch

The new film from one of Romania’s foremost cine-ironists, Radu Jude, is a glorious, poisonous, everything-in-the-pot treatise on the state of the world today.
Festivals

Les Indésirables – first-look review

by Mark Asch

Ladj Ly’s follow-up to his Cesar award-winning Les Misérables is a hyperbolic state-of-the-nation address that lacks the logic and fire of that first feature.

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