Toronto Film Festival | Little White Lies

Toronto Film Festival

Three formal-dressed East Asian individuals standing on steps. An elderly woman in the centre, with two younger men flanking her.
Festivals

Office – first look review

by David Jenkins

This cubist cor­po­rate musi­cal set dur­ing the finan­cial crash of 2008 oozes with bold­ness and creativity.
Group of senior military officers sitting around a conference table, adorned with badges and insignia.
Festivals

Where to Invade Next – first look review

by David Jenkins

Michael Moore’s new movie is an exam­ple of a film­mak­er with noth­ing valu­able to say.
Two people wearing suits against a dark background.
Festivals

High-Rise – first look review

by David Jenkins

Ben Wheatley’s JG Bal­lard adap­ta­tion is a glow­ing clus­ter of stand-alone transgressions.
Three young people, two girls and one boy, standing close together in a natural setting.
Festivals

Our Little Sister – first look review

by David Ehrlich

The lat­est from Japan­ese direc­tor Hirokazu Koree­da is sweet and sac­cha­rine to a fault.

4
Anticipation
4
Enjoyment
4
In Retrospect
Group of people, including a woman holding a microphone, entering through a doorway, surrounded by camera operators.
Festivals

Our Brand Is Crisis – first look review

by David Jenkins

San­dra Bul­lock tears up the polit­i­cal scene in La Paz in David Gor­don Green’s feath­er-light polit­i­cal comedy.

4
Anticipation
3
Enjoyment
3
In Retrospect
Three people in a music studio: a woman and two men, one of whom is playing an acoustic guitar.
Festivals

I Saw the Light – first look review

by David Jenkins

This coun­try music biopic star­ring Tom Hid­dle­ston is a mod­el of thought­ful restraint.
A well-dressed man in a suit and tie, looking off-camera in a room with green walls.
Festivals

Demolition – first look review

by David Jenkins

A top-tier fes­ti­val open­er arrives in the form of this scat­ter­shot yet thought­ful study of grief.

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