Mary Elizabeth Winstead Reviews and Articles | Little White Lies

Talent Mary Elizabeth Winstead

A person with colourful, dyed hair reclining on a surface covered in multicoloured fringes and accessories.
Review

Birds of Prey

by Hannah Strong

Mar­got Rob­bie brings anar­chy and atti­tude to the DCEU in Cathy Yan’s pop-punk ode to womanhood.

2
Anticipation
4
Enjoyment
4
In Retrospect
Two people standing near a brick wall, a man in a green shirt and a woman in a black jacket.
Review

Gemini Man

by Hannah Strong

Will Smith goes mano-a-mano with his younger self in direc­tor Ang Lee’s exhil­a­rat­ing action spectacle.

3
Anticipation
3
Enjoyment
3
In Retrospect
Two people gazing at a dystopian city skyline with industrial chimneys and smoke.
Review

Love, Death & Robots

by Charles Bramesco

This NSFW ani­mat­ed anthol­o­gy sees Tim Miller and David Finch­er team up to dis­as­trous effect.

3
Anticipation
2
Enjoyment
1
In Retrospect
Two men in a wooded area, one with a stern expression and the other with a softer, contemplative look.
Review

Swiss Army Man

by Little White Lies

LWLies edi­tors David Jenk­ins and Adam Wood­ward dis­cuss the mer­its of ​‘The Daniel Rad­cliffe Fart­ing Corpse Movie’.

3
Anticipation
2
Enjoyment
2
In Retrospect
Three people standing in a dimly lit room, with a blue barrel in the foreground.
Review

10 Cloverfield Lane

by Katherine McLaughlin

This frisky and fre­net­ic sort-of-sequel to Matt Reeves’ 2008 mon­ster movie boasts a trio of amaz­ing performances.

4
Anticipation
4
Enjoyment
4
In Retrospect
A man wearing a dark coat with a fur-lined hood, holding a flashlight and looking serious.
Review

The Thing

by Ashley Clark

While the char­ac­ter­i­sa­tion is thin and deliv­ered in broad strokes, by the time hav­oc breaks loose it’s unlike­ly you’ll care too much.

3
Anticipation
4
Enjoyment
3
In Retrospect
Two people, a man in a light blue shirt and a woman in a pink blouse, standing against a dark wooden background.
Review

Scott Pilgrim vs. the World

by Matt Bochenski

Although Scott Pil­grim is a hyper­ac­tive feast, its great­est strength is its stud­ied literalism.

5
Anticipation
4
Enjoyment
4
In Retrospect