Talent Lars von Trier

A man in a navy jumper intently examining a miniature architectural model on a table.
Review

The House That Jack Built

by David Jenkins

Lars von Trier is up to his old tricks in this absurdly macabre and deeply self-conscious portrait of a serial killer.

1
Anticipation
5
Enjoyment
5
In Retrospect
Two female faces behind a glass door with vertical blinds, marked "1st CLASS".
Review

Nymphomaniac

by Sophie Monks Kaufman

Lars von Trier’s two-part psychosexual epic makes for invigorating, profound and occasionally baffling viewing.

5
Anticipation
4
Enjoyment
4
In Retrospect
A woman with long blonde hair wearing a white lace dress stands in front of a floral wallpaper backdrop.
Review

Melancholia

by Jonathan Crocker

There’s something powerful here, but von Trier hasn’t quite managed to force it through the screen.

4
Anticipation
2
Enjoyment
3
In Retrospect
A person lying on the forest floor, with another person hovering over them in a threatening manner.
Review

Antichrist

by Jonathan Crocker

Antichrist confirms Lars von Trier as the mad master-imp of world cinema.

4
Anticipation
3
Enjoyment
3
In Retrospect
A man leaning over a woman on a desk in an office setting.
Review

The Boss of It All

by Alan Mack

Lars von Trier’s latest is light, frothy and bitingly funny with a pleasingly dark underside.

4
Anticipation
4
Enjoyment
4
In Retrospect
Several individuals gathered at night, some in military uniform, others in casual attire, focused on a figure in the centre.
Review

Manderlay

by David Jenkins

Lars von Trier’s latest is an exercise in claustrophobic filmmaking, rife with symbolism and an unstoppable momentum.

3
Anticipation
4
Enjoyment
5
In Retrospect

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