by Manuela Lazic
John Hurt’s final screen performance is humorous and delicate, but isn’t enough to save this drab drama.
by Adam Lee Davies
Director Brett Ratner’s take on Zeus’ most ripped offspring is a bumbling, dizzy-headed chore.
by David Jenkins
Lars von Trier’s latest is an exercise in claustrophobic filmmaking, rife with symbolism and an unstoppable momentum.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.