Debbie Honeywood Reviews and Articles | Little White Lies

Talent Debbie Honeywood

Exterior of 'The Old Oak' pub, with a person standing outside the boarded-up windows and doorway.
Review

The Old Oak review – trades largely on didacticism and sentimentality

by Mark Asch

In what could be his final film, Ken Loach fix­es his gaze on a pub land­lord in a town reck­on­ing with a new pop­u­la­tion of Syr­i­an refugees.

3
Anticipation
2
Enjoyment
2
In Retrospect
A man in a brown jacket stands in front of a row of white vans.
Review

Sorry We Missed You

by Adam Woodward

Ken Loach dou­bles down on his kitchen-sink shtick in this heavy-hand­ed indict­ment of Britain’s gig economy.

3
Anticipation
2
Enjoyment
1
In Retrospect