by Charles Bramesco
The 37-minute Le Pupille joins a group of rebellious youngsters spending the holidays at their boarding school.
by Sophie Monks Kaufman
The French-Hungarian co-production, made by artist Nadja Andrasev, is on the longlist for this year’s Oscars.
by Hannah Strong
Curated by Grace Barber-Plentie, Reframing the Fat Body allows plus size people to exist without judgement or limitation.
by Leila Latif
Somalia Seaton’s A Response to Your Message is a personal reflection on this year’s Black Lives Matter protests.
Filmmaker Sam O’Mahony explains how he utilised the resources at hand to make I Don’t Find Any of This Very Peaceful.
Antlered monstrosities, floating worms – just another day in Lynchland.
It’s your basic hard-boiled cop interrogation, except with a primate and an experimental master.
Masked figures perform a ritual most sinister in the six-minute miniature.
by Little White Lies
Discover new work by exciting young talent courtesy of Random Acts and Channel 4.
by Ronan Doyle
This year’s Iris Prize Film Festival in Cardiff showcased emerging trends across the spectrum of queer cinema.
by Adam Woodward
My Boy is the latest micro-budget drama from British writer/director Charlotte Regan.
by Ben Robins
By tackling real-world issues, these talented directors are delivering big ideas on minuscule budgets.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.