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A young woman wearing a red jacket and shorts stands in the middle of a crowd of people lying on the ground.
Festivals

The Wave – first-look review

by Rafa Sales Ross

Sebastián Lelio’s musi­cal take on Chile’s MeToo move­ment is a mis­judged gum-smack­ing mess.
Two adults, a man and a woman, sitting closely at a table in a dimly lit restaurant.
Festivals

I Am Nevenka – first-look review

by David Jenkins

Icíar Bollaín’s tabloidy but worth­while #MeToo dra­ma tells of a vic­tim of sex­u­al abuse with­in Spain’s local polit­i­cal scene.
Two young women, one with blonde hair and the other with dark hair, sitting at a table with candles and a framed photograph in a dimly lit room.

Sixties sexploitation swings back in Edgar Wright’s Last Night in Soho

by Alexandria Slater

By dredg­ing up harm­ful stereo­types from the past, the film under­mines its post-#MeToo fem­i­nist narrative.
Two young women, one with long blonde hair wearing a pink top, the other with short curly hair wearing a black top, interacting in an indoor setting.
Interviews

Kitty Green on why The Assistant goes way beyond Weinstein

by Beth Webb

The Amer­i­can filmmaker’s debut nar­ra­tive fea­ture is the per­fect dra­ma for the post #MeToo era.
Three blonde women in formal attire - grey, pink, and black outfits - standing in an elevator.
Review

Bombshell

by Sophie Monks Kaufman

This star­ry post-#MeToo take­down of tox­ic mas­culin­i­ty gross­ly mis­rep­re­sents its female subjects.

3
Anticipation
2
Enjoyment
1
In Retrospect
Cartoon illustration of a horse chef in chef's hat and a pink cat chef in the kitchen.
Not Movies

How TV comedies are leading the way on #MeToo

by Caspar Salmon

Shows like BoJack Horse­man, GLOW and Unbreak­able Kim­my Schmidt are tak­ing a bold, com­plex approach to tack­ling sys­temic misogyny.