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Vintage black and white image of a man and woman sitting together by a window.
Review

Blonde

by Leila Latif

Andrew Dominik’s warts-and-all por­trait of trag­ic Hol­ly­wood icon Mar­i­lyn Mon­roe is as sur­re­al as it is sad.

5
Anticipation
3
Enjoyment
4
In Retrospect
Woman with curled blonde hair wearing a black top and white trousers, seated on a red sofa with bookshelves in the background.
Festivals

Blonde – first-look review

by Leila Latif

Andrew Dominik’s adap­ta­tion of Joyce Car­ol Oates’ behe­moth Mar­i­lyn Mon­roe nov­el is a sur­re­al, anar­chic take on celebri­ty and womanhood.
Two women with curly blonde hair, smiling and laughing in a black and white photo.
Incoming

Fame devours Ana de Armas as Marilyn Monroe in the first Blonde trailer

by Charles Bramesco

Andrew Dominik’s long-await­ed not-quite-biopic adapts Joyce Car­ol Oates’ nov­el for Netflix.
A glamorous woman in a sparkly black gown standing in an elegant room, holding a telephone and looking towards the camera. The scene features ornate furnishings and lighting, suggesting an opulent setting.
In Praise Of

Why I love Jane Russell’s performance in Gentlemen Prefer Blondes

by Carmen Paddock

Her sharp-tongued turn in Howard Hawks’ 1953 com­e­dy is the per­fect foil for Mar­i­lyn Monroe’s bim­bo act.
Man in long coat and hat standing near woman in off-the-shoulder black dress, both in black and white image.
In Praise Of

How The Asphalt Jungle changed the face of American noir

by Adam Scovell

John Huston’s heist clas­sic, star­ring Ster­ling Hay­den and Mar­i­lyn Mon­roe, empha­sised the grit­ti­ness of the post­war era.