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Woman in orange dress and jacket, performing on stage with colourful lighting.
Festivals

Ash is Purest White – first look review

by Adam Woodward

China’s foremost auteur Jia Zhangke returns with a stirring and constantly surprising social critique.
Raised hand silhouette against black background.
Festivals

Image Book – first look review

by David Jenkins

Obscure doesn’t even begin to cover the intractable delights of the latest cine-sortie from Jean-Luc Godard.
Two smiling people embracing in an office setting with bookshelves and artwork.
Festivals

Sorry Angel – first look review

by David Jenkins

This eloquent and expressive gay romance from Christophe Honoré is one of the director’s finest achievements.
Two people, a man and a woman, wearing sunglasses and standing together in a crowded urban setting, captured in a black and white photograph.
Festivals

Summer (Leto) – first look review

by Sophie Monks Kaufman

This shapeless, drama-free dirge through the rock scene in 1980s Leningrad has no place in the Cannes competition.
A pensive woman with a serious expression gazes through a window, with another figure visible in the background.
Festivals

Cold War – first look review

by David Jenkins

This miniature monochrome epic from Pawel Pawlikowski is a extraordinary piece of cinematic craftsmanship.
A man rides a donkey-drawn cart on a rural road, with another person walking in the background.
Festivals

Yomeddine – first look review

by Manuela Lazic

This sweet but slight Egyptian road movie follows a leper and an orphan on the road to self-discovery.
Three people in traditional clothing: a woman in a floral dress, a man in a straw hat and striped shirt, and a woman in a colourful patterned dress.
Festivals

Birds of Passage – first look review

by David Jenkins

Embrace of the Serpent director Ciro Guerra returns with a full-bore narco saga set in rural Colombia.
Woman in black top embracing woman with long, curly brown hair wearing beige floral coat.
Festivals

Everybody Knows – first look review

by Adam Woodward

Asghar Farhadi returns to Cannes with a slowburn domestic drama about secrets, lies and unsettled scores.
Man with long, dark hair wearing a patterned jacket, looking intently at the camera.
Festivals

The Man Who Killed Don Quixote may not screen at Cannes after all…

by Adam Woodward

Legal action could prevent Terry Gilliam’s passion project from premiering at the festival next month.
Three men in suits, one with glasses, seated at a table.

The year revolution brought the Cannes Film Festival to a halt

by Justine Smith

The events of May ​’68 had a profound impact on the film world.