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Three Black men in activist attire, one holding a microphone speaking before a crowd.
Incoming

Daniel Kaluuya will turn writer/producer for dystopian London thriller The Kitchen

by Charles Bramesco

The upcom­ing Net­flix film takes place in the bru­tal, heav­i­ly strat­i­fied soci­ety of 2044.
Woman with curly blonde hair wearing a grey cardigan, sitting in a doorway and holding a glass of red wine.
Not Movies

The Woman in the House Across the Street from the Girl in the Window is as convoluted as its title

by Roxanne Sancto

Netflix’s self-par­o­dy­ing psy­cho­log­i­cal thriller doesn’t seem to know what kind of show it wants to be.
A woman wearing a tan coat and colourful scarf, seated outdoors on a bench in a garden setting with flowers and other people visible in the background.
Incoming

Wes Anderson’s is making an other Roald Dahl adaptation for Netflix

by Charles Bramesco

He’ll direct The Won­der­ful Sto­ry of Hen­ry Sug­ar with Bene­dict Cum­ber­batch in the title role.
Elderly man in formal attire standing at a podium and addressing an audience.
Review

Munich: The Edge of War

by Josh Slater-Williams

Net­flix rings in the new year with an aus­tere World War Two espi­onage thriller from direc­tor Chris­t­ian Schwochow.

2
Anticipation
3
Enjoyment
3
In Retrospect
Two young women, one holding the other, outdoors in a green setting.
Not Movies

Netflix’s Maid is an unfiltered portrayal of single motherhood

by Roxanne Sancto

Mar­garet Qual­ley gives a stun­ning per­for­mance in this 10-part dra­ma about a young mum who escapes an abu­sive relationship.
A man in ornate religious robes stands with arms outstretched in a dimly lit interior.
Not Movies

Midnight Mass is a thrilling tribute to Stephen King’s literary legacy

by Leila Latif

Mike Flanagan’s lat­est Net­flix out­ing, set in a small island com­mu­ni­ty, is his most ambi­tious and per­son­al work to date.
Image of a muscular male character with a beard, wearing a red outfit and holding up a beverage in a dimly lit setting.
Review

The Witcher: Nightmare of the Wolf

by Kambole Campbell

The pro­duc­ers of Avatar pre­quel The Leg­end of Kor­ra expand on Netflix’s dark fan­ta­sy series with a bloody ​“ani­mé”.

3
Anticipation
4
Enjoyment
3
In Retrospect
Group of people sitting on a wooden deck by a rocky coastline.
Incoming

Paolo Sorrentino revisits his childhood in The Hand of God trailer

by Charles Bramesco

In his upcom­ing work of loose auto­bi­og­ra­phy for Net­flix, a young man has a brush with great­ness in ​’80s Napoli.
A person wearing a dark cloak, holding a lit torch in a shadowy, warm-toned setting.
Review

Fear Street: 1666

by Josh Slater-Williams

Netflix’s time-skip­ping hor­ror tril­o­gy reach­es a sat­is­fy­ing con­clu­sion via a 17th-cen­tu­ry Sarah Fier ori­gin story.

3
Anticipation
4
Enjoyment
4
In Retrospect
Two young women with long, curly red hair looking at each other intently in an outdoor setting.
Review

Fear Street: 1978

by Josh Slater-Williams

The sec­ond part of Netflix’s RL Stine-inspired hor­ror tril­o­gy is a seri­ous upgrade on its mud­dled predecessor.

2
Anticipation
4
Enjoyment
4
In Retrospect