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Elderly man and woman sitting on a park bench, autumn leaves around them.
Festivals

Armageddon Time – first-look review

by Hannah Strong

A young boy navigates family and friendship during a time of social upheaval in James Gray’s tender semi-autobiographical latest.
Two people, a woman and a child, embracing in a grassy field with mountains and trees in the background.
Festivals

The Eight Mountains – first-look review

by Rafa Sales Ross

Felix van Groeningen and Charlotte Vandermeersch’s is a poignant study of the friendship between two young men across four decades.
Two people, a man and a woman, standing outside a building. The man wears a khaki jacket, while the woman wears a black jumper. They appear to be in a rural or outdoor setting.
Festivals

God’s Creatures – first-look review

by David Jenkins

Emily Watson and Paul Mescal enter into a battle of mother-son wills in this gorgeously-mounted but unoriginal Irish thriller.
A young girl with dark hair wearing a black coat, standing by a window and looking contemplative.
Festivals

Tchaikovsky’s Wife – first-look review

by Mark Asch

Kirill Serebrennikov focuses on the relationship between one of Russia’s greatest composers and his adoring, but unloved, partner.
Colourful people in a park, man in vibrant floral shirt, woman with blue hair and piercings, person in black holding another person.
Festivals

Final Cut – first-look review

by David Jenkins

Michel Hazanavicius comes up short in his underpowered remake of Shinichirou Ueda’s zom-com, One Cut of the Dead
A woman with dark hair stands in a wooded area, leaning against a tree trunk and looking at the camera with a serious expression.
Festivals

Scarlet – first-look review

by Sophie Monks Kaufman

Pietro Marcello adapts Alexander Grin’s fairy tale about a poverty-stricken family with breathtaking results.
Woman in sequinned dress posing on red carpet.
Cannes Film Festival

24 curious facts about the Cannes Film Festival

by Saskia Lloyd Gaiger

Some of the best nuggets of glitz and scandal throughout the history of the most famous international film festival.
A black and white portrait of a woman with curly dark hair wearing a leather jacket and a lace blouse, looking directly at the camera with a contemplative expression.
Interviews

Laura Wandel: ‘It was important that the children made this film their own’

by Lillian Crawford

The Belgian director of harrowing Cannes stand-out Playground on the intricacies of making a film from the perspective of kids.
A woman with curly dark hair, wearing a red jacket and a cream-coloured scarf, standing in a desert landscape.
Festivals

Mark Jenkin and Mia Hansen-Løve will unveil new films at the 54th Directors’ Fortnight

by David Jenkins

They’ll be joined by fellow luminaries Alex Garland and Pietro Marcello when the Quinzaine returns to Cannes next month.
Portrait of a woman with dark hair, wearing a black blouse with pink floral embroidery, against a peach background.
Interviews

Lucie Zhang: ‘The nudity was like wearing a costume’

by Josh Slater-Williams

The star of Jacques Audiard’s Parisian drama reflects on her whirlwind journey from first-time actor to the Cannes red carpet.