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A man in a light blue jacket and checkered shirt standing inside a vintage train carriage.
Incoming

Wes Anderson’s new film Asteroid City will hit Earth in an early-summer release date

by Charles Bramesco

With a theatrical run scheduled for June, a première at Cannes seems all but assured.
Young woman in black coat and hat standing on stairs in indoor setting.
Incoming

No one can be trusted in the first trailer for Park Chan-wook’s Decision to Leave

by Charles Bramesco

A cop investigating a murder in a wind-swept mountain town falls for the victim’s widow in the Cannes prize-winner.
Two women with curly blonde hair, smiling and laughing in a black and white photo.
Festivals

The Venice Film Festival unveils a jam-packed lineup for 2022

by Charles Bramesco

The Lido will be perfectly happy to host the buzzy Netflix films banned from Cannes.
Three African-American children on a bus, looking thoughtfully out of the window.
Festivals

Mother and Son – first-look review

by Sophie Monks Kaufman

Léonor Serraille comes good with her novelistic second feature about an immigrant family fighting for survival in France.
Young woman in a cluttered room, holding a plush toy.
Festivals

Showing Up – first-look review

by Caitlin Quinlan

Michelle Williams excels as a sculptor whose attention is sapped by colleagues and family in Kelly Reichardt’s ambient social satire.
Man with dark hair wearing a light-coloured suit, looking serious.
Festivals

Pacifiction – first-look review

by David Jenkins

Albert Serra returns with an apocalyptic saga set in Tahiti in one of his most accomplished and mature films to date.
A field of white dandelion flowers, with several people visible amongst the flowers. The image has a warm, golden tone to it.
Festivals

Close – first-look review

by Hannah Strong

Lukas Dhont’s second feature focuses on the friendship between two boys, and the tragedy that changes the trajectory of their lives.
A man in a workroom using a sewing machine, surrounded by colourful spools of thread and other sewing equipment.
Festivals

Broker – first-look review

by Charles Bramesco

A woman who leaves her infant son in a Busan ​“baby box” finds an unexpected family in Hirokazu Koreeda’s tender drama.
Two people - a woman with dark hair and a man with a beard and long hair - facing each other in a forest setting.
Festivals

The Stars at Noon – first-look review

by David Jenkins

Claire Denis adapts Denis Johnson’s 1986 novel about love in a time of revolution – with fascinating, if not entirely successful, results.
A woman in a floral headscarf and dark jacket stands in a doorway, with several people visible in the background.
Festivals

Leila’s Brothers – first-look review

by David Jenkins

Saeed Roustayi’s panoramic melodrama of a poverty-stricken Tehran family in the midst of disintegration is a knockout.