Valentine’s Day | Little White Lies

Valentine’s Day

11 Feb 2010 / Released: 12 Feb 2010

A couple standing together in a forested area, the woman holding a large stuffed animal and the man holding a pink gift box.
A couple standing together in a forested area, the woman holding a large stuffed animal and the man holding a pink gift box.
2

Anticipation.

If a day dedicated to anonymous lust piques your anticipation, then you’ll probably be pretty excited about this. If you think that the release date is cynical commercialism, then you probably have other plans.

2

Enjoyment.

After about an hour the glow severely begins to fade.

1

In Retrospect.

You might not approve of it, but you’ve sort of got to admire it.

Despite mar­ket­ing itself as a Hol­ly­wood rom-com, this is in many ways a Bol­ly­wood com­e­dy, set in LA.

It came as absolute­ly no sur­prise that, about an hour and forty five min­utes in to Valentine’s Day – the time­ly new film by Gar­ry Mar­shall – there was an enor­mous Indi­an wed­ding song and dance rou­tine. For, despite Valentine’s Day mar­ket­ing itself as an all-star, Hol­ly­wood, don’t‑call-it-a-cash-in rom-com, it is in many ways a Bol­ly­wood com­e­dy, set in LA.

First­ly, it is long. Sweet moth­er of Rudolph Valenti­no, it is long – two hours long by our watch. Which belies the rather sim­ple plot: one Valentine’s Day in the life of an unlike­ly col­lec­tion of LA res­i­dents as they fall in, out and through love.

Sec­ond­ly, every­one and every­thing in the film is ludi­crous­ly good look­ing. This is a film where Anne Hath­away is an admin assis­tant who talks dirty on her mobile for a lit­tle extra cash. Where a florist can live in a pas­tel paint­ed canal-side house in Lit­tle Venice. Where Jes­si­ca Gar­ner is a pri­ma­ry school teacher. No dis­re­spect to Mrs Tat­ton, but my pri­ma­ry school teacher cer­tain­ly did not wear five inch wedges and go out in skin-tight cou­ture (at least, not when we were around.)

In Valentine’s Day the sun is always shin­ing, LA is as fresh and bright as a wash­ing pow­der com­mer­cial and no-one real­ly has to do any work. Like Shahrukh Khan’s Mum­bai, the LA of Valentine’s Day is a fan­tas­tic, spot­less sim­u­lacrum of the city that only sleeps dur­ing surgery.

The film is also rem­i­nis­cent of Bol­ly­wood in terms of the sheer size of the cast. Take a look at that poster; this is a film with name weight. Julia Roberts, Jamie Foxx, Anne Hath­away, Ash­ton Kutch­er, Jes­si­ca Alba, Patrick Dempsey, Queen Lat­i­fah- the list goes on and on. Over the course of Valentine’s Day there are sev­en cou­ples, a cou­ple of cameos (most sur­pris­ing­ly Mel of Flight of the Con­chords fame) and a healthy sup­port­ing cast.

The set pieces, most often pro­vid­ed by rather ham­my and two-dimen­sion­al, if not straight-down offen­sive, for­eign­ers’ were like some­thing from low-bud­get Malyalam come­dies. Peo­ple fall over, cute kids back-chat, pret­ty girls car­ry around enor­mous ted­dy bears and old peo­ple make pub­lic fools of themselves.

But back to that wed­ding scene. There the cou­ple were, cel­e­brat­ing their recent nup­tials, when Jen­nifer Gar­ner starts smack­ing all holy hag­ga out of a heart-shaped piña­ta. Then Jamie Foxx turns up and starts play­ing the piano (since Ray, a quick tin­kling of the ivories is most like­ly in all his con­tracts), a teenage cou­ple talk about the impor­tance of absti­nence in the back of a van and every­one in the restau­rant starts to dance.

If that sounds like your idea of a good time, then you’re in for a treat. If it sounds like a load of schmaltzy, naff, ridicu­lous­ness then maybe just stay in this Valentine’s Day.

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