The Pass | Little White Lies

The Pass

08 Dec 2016 / Released: 09 Dec 2016

Two shirtless men standing face-to-face in close proximity, conveying an intense exchange.
Two shirtless men standing face-to-face in close proximity, conveying an intense exchange.
3

Anticipation.

A topical issue in dire need of exploration.

4

Enjoyment.

An urgent, well-executed story.

4

In Retrospect.

Intense and delicately nuanced.

Final­ly, a film set in the world of mod­ern foot­ball that is actu­al­ly worth watching.

Of course I’m not gay, look at me. I’m a foot­baller.” This is a film that tack­les a huge issue in foot­ball right now: homo­sex­u­al­i­ty. Eight per cent of fans have admit­ted that they would stop sup­port­ing their team if a play­er was revealed to be gay. Direc­tor Ben A Williams explores the lin­ger­ing taboo of a clos­et­ed top-flight foot­baller named Jason (bril­liant­ly played by Rus­sell Tovey) with great nuance.

The film fol­lows the diverg­ing sto­ries of two acad­e­my play­ers, one being Jason and the oth­er Ade (Arinzé Kene), as they manœu­vre through their pro­fes­sion­al and per­son­al lives. An inci­dent occurs between the two of them the night before a poten­tial­ly career-mak­ing Cham­pi­ons League game, which is del­i­cate­ly revealed through the cen­tral narrative.

An inten­si­ty grows as the sto­ry expands out over 10 years start­ing in 2006, with the entire film tak­ing place in only three sep­a­rate loca­tions, two hotel rooms and an apart­ment. This sense of claus­tro­pho­bia reflects the intense pres­sure Jason is under – strug­gling with his sex­u­al­i­ty which, through­out his entire foot­balling career, has caused him to make errat­ic deci­sions and see his tal­ent dimin­ish before his eyes.

It is not just the strug­gle of homo­sex­u­al­i­ty he has to deal with it’s the pres­sure of being a foot­baller in his twi­light years, where he is stuck in the past and can’t see him­self adapt­ing to his immi­nent post-foot­ball life. There is an aware­ness of the lack of black man­agers in foot­ball, with Ade choos­ing a career in his retire­ment com­plete­ly sep­a­rate from the foot­balling world because of the lack of oppor­tu­ni­ty for eth­nic minori­ties who wish to gain coach­ing badges.

This is a tru­ly refresh­ing film that will hope­ful­ly pro­vide a much-need­ed boost to the num­ber of play­ers who feel it is taboo to be open­ly gay in foot­ball. Although the dia­logue is some­times a lit­tle forced, this is a foot­ball-ori­en­tat­ed film that couldn’t be fur­ther from the corny unlike­ly hero” sto­ries that seem to dom­i­nate the market.

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