Street Gang: How We Got to Sesame Street movie… | Little White Lies

Street Gang: How We Got to Sesame Street

05 May 2021

Words by Zosha Millman

Directed by Marilyn Agrelo

Starring Jim Henson, Joan Ganz Cooney, and Jon Stone

Four men, one in an orange puppet costume, laughing together on a stage.
Four men, one in an orange puppet costume, laughing together on a stage.
4

Anticipation.

Who doesn’t want to learn what it was like to be a puppeteer on Sesame Street?

3

Enjoyment.

My tear ducts didn’t stand a chance.

3

In Retrospect.

A documentary you won’t be mad you watched.

Fuzzy feels abound in this enter­tain­ing if slight doc­u­men­tary about the cre­ation of the icon­ic kids’ TV show.

Doc­u­men­tary as a form is prone to hyper­fix­a­tion and hyper­bole. But in the case of Street Gang: How We Got to Sesame Street, where numer­ous talk­ing heads speak to the time­less­ness of the show – that 200 years from now peo­ple will still know who Bert and Ernie are – it feels remark­ably apt. From the first plunk­ing notes of the Sesame Street theme song, you can feel your heart begin to swell. As the film peeks under the hood to see how the icon­ic show came to be, it’s impos­si­ble not to get sucked into the nostalgia.

As much talk as there was among Sesame Street’s cre­ative team about seek­ing out a view­er­ship of inner-city kids, ensur­ing their pro­gramme was edu­cat­ing and enter­tain­ing in equal mea­sure, they showed just as much action in mak­ing that hap­pen. The show’s cre­ators brought in both tele­vi­sion writ­ers and edu­ca­tors; stud­ied what kids need­ed, what they retained, what they for­got, and what they want­ed to see; cre­at­ed a slide pro­jec­tor device to more sci­en­tif­i­cal­ly gauge when the show would lose a child’s attention.

The street set­ting was intro­duced because, for a New York City kid cooped up in the apart­ment, that was where the action was. Lest you think that Sesame Street’s mas­sive suc­cess was a hap­py acci­dent, Street Gang is here to inform you that the show was rig­or­ous in its attempts to appeal to its tar­get audience.

Street Gang flits between dif­fer­ent facets of its sub­ject, sur­vey­ing every­thing from music direc­tion to con­sid­er­a­tions of Big Bird’s design. The tran­si­tions often feel too smooth, whisk­ing you away from top­ics that could use more insight, such as rep­re­sen­ta­tion or pup­pet con­struc­tion. When it can’t ful­ly duck deep­er sub­jects, it shies away from plumb­ing too deeply. The film is at its most absorb­ing when look­ing at how com­pet­ing impuls­es could gel into weird, ground­break­ing TV mag­ic, although even that feels under-explored. Its inter­est is the whole rather than the indi­vid­ual parts.

Giv­en that Street Gang was pro­duced by HBO, the same com­pa­ny that snapped up Sesame Street and made it tem­porar­i­ly exclu­sive to their ser­vice, it might be futile to wish for a doc­u­men­tary that delved deep­er, cov­er­ing how the show’s mis­sion has changed through the years. Instead, after chron­i­cling Jim Henson’s run, the film sput­ters with­out much to say about the inter­ven­ing decades. Still, it’s hard not to be sucked in by the sheer effect of Sesame Street’s radius: on Sesame Street, with its sun­ny days and clear air, even shal­low breaths feel more full.

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