IT Chapter Two | Little White Lies

IT Chap­ter Two

03 Sep 2019 / Released: 06 Sep 2019

Four people standing in a lush, green forest.
Four people standing in a lush, green forest.
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Anticipation.

It (Chapter One) was alright.

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Enjoyment.

Even Pennywise becomes boring.

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In Retrospect.

Slick, self-indulgent, never-ending.

Time stands still in more ways than one as this dull rehash of Andy Muschietti’s 2017 hor­ror over­stays its welcome.

In Der­ry, Maine, time works in mys­te­ri­ous ways. It seems like only a cou­ple of years ago that it was 1989, and Bill (Jae­den Lieber­her), Bev­er­ly (Sophia Lil­lis), Ben (Jere­my Ray Tay­lor), Richie (Finn Wolfhard), Eddie (Jack Dylan Graz­er), Stan­ley (Wyatt Oleff) and Mike (Cho­sen Jacobs) were band­ing togeth­er to form the Losers’ Club – a gang of mis­fits and under­dogs unit­ed against not only small-town prej­u­dice but also a demon­ic, child-eat­ing res­i­dent evil (the It’ of the title) that some­times assumes the form of Pen­ny­wise the Clown (Bill Skarsgård).

Now, only two (but also 27) years lat­er, the Losers are all grown-up, a dias­po­ra of dam­aged adults still bear­ing the scars – both phys­i­cal and psy­cho­log­i­cal – of hor­rif­ic child­hood expe­ri­ence whose details they strug­gle even to remem­ber. When It returns, once again going on a feed­ing fren­zy through Derry’s weak and fear­ful, Mike (Isa­iah Mustafa), who alone stayed behind in his child­hood home, sum­mons adult Bill (James McAvoy), Bev­er­ly (Jes­si­ca Chas­tain), Ben (Jay Ryan), Richie (Bill Had­er), Eddie (James Ran­sone) and Stan­ley (Andy Bean) to face It once again.

Andy Muschietti’s IT Chap­ter Two brings back char­ac­ters from the first chap­ter as they relive long-buried trau­mas and, through seam­less match-cuts and CGI-smoothed tran­si­tions, re-encounter their child­hood selves in moments of peak ter­ror. This is in part a retread of the orig­i­nal film, going back over some famil­iar scenes while also inter­po­lat­ing new ones. The prob­lem is that this adult ensem­ble, how­ev­er well cast, is just less inter­est­ing to watch than their ado­les­cent coun­ter­parts, even if their present sit­u­a­tions still reflect their past.

Much, for exam­ple, as young Bill was imped­ed by a stam­mer from fin­ish­ing his sen­tences, his adult incar­na­tion is nev­er able to find good end­ings for the books and screen­plays that he writes. As a hor­ror nov­el­ist, Bill is an obvi­ous dou­ble for Stephen King, who wrote It’ in 1986 – and as though to con­firm their affin­i­ty, one scene here brings the two togeth­er, with King cameo­ing as a sell­er of sec­ond-hand goods (includ­ing a copy of one of Bill’s books).

That’s why you’re here. To fin­ish it. For good.” This is what Mike tells the reassem­bled Losers, mak­ing it clear that the bad end­ings of Bill’s books, or Bev­er­ly and Eddie’s inabil­i­ty to break free of tox­ic rela­tion­ship pat­terns from when they were younger, or Richie’s strug­gle, for all his mouthi­ness, to express his true feel­ings, are all symp­toms of a broad­er kind of unfin­ished busi­ness whose ulti­mate res­o­lu­tion is the inevitable end­point of the It dip­tych. With one of the Losers quick­ly out of the pic­ture, these are six char­ac­ters in search of an ending.

It’s just a pity that this sec­ond chap­ter feels like a dull rehash of themes already well cov­ered in the first. It is overindul­gent of its char­ac­ters, overex­tend­ed in its dura­tion, and by the time the sew­er-set cli­max final­ly comes (and over­stays its wel­come), and is then fol­lowed by a lengthy Return of the King-style long good­bye’ among the sur­viv­ing char­ac­ters, many view­ers will have lost all patience.

Despite a panoply of dig­i­tal­ly enhanced effects used to realise Pennywise’s grotesque trans­for­ma­tions, first into the spi­der head from John Carpenter’s The Thing, and then into a gar­gan­tu­an clown-arach­nid hybrid, the shapeshifter is nev­er more men­ac­ing than in one sin­gle, short-lived scene where he appears as a nor­mal man don­ning grease­paint. Some­times less is more – a les­son that any hor­ror stretch­ing to near­ly three hours would do well to learn. In Der­ry, for this sec­ond instal­ment, time stops in more than one way.

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