Fashion Reimagined movie review (2023) | Little White Lies

Fash­ion Reimagined

28 Feb 2023 / Released: 03 Mar 2023

Words by Saskia Lloyd Gaiger

Directed by Becky Hutner

Person wearing long coat walking through grassy field towards mountains.
Person wearing long coat walking through grassy field towards mountains.
3

Anticipation.

Preparing for confirmation that I’m going to Hell for love of Zara.

3

Enjoyment.

Too long, but LOVE the weaving machines and the alpacas.

3

In Retrospect.

Good on trousers, could do with a bit less mouth.

The sto­ry of Amy Powney and her jour­ney to cre­ate tru­ly sus­tain­able and eth­i­cal clothes oscil­lates between the fas­ci­nat­ing and the tiresome.

The world of clothes is famous­ly cut­throat and increas­ing­ly care­less – the dev­il could cur­rent­ly wear most brands quite hap­pi­ly, giv­en the envi­ron­men­tal and human­i­tar­i­an cost of pro­duc­ing pret­ty much any­thing. In Fash­ion Reimag­ined, self-styled upstart design­er Amy Powney takes on glob­al chains of pro­duc­tion as she sets out to make an entire­ly sus­tain­able col­lec­tion after win­ning the BFC/​Vogue Fash­ion Fund prize in 2017.

Becky Hutner’s doc­u­men­tary charts this process, shad­ow­ing Powney and her team as they search the globe for fibres pro­duced humane­ly, that can be spun and woven with­out leav­ing giant car­bon foot­prints. They vis­it Uruguay, Peru, Turkey and Aus­tria, meet­ing wool pro­duc­ers and cot­ton pick­ers, hang out with sheep and those much cuter shear­able rumi­nants, alpacas.

Powney’s jour­ney expos­es how lit­tle aware­ness there is about the lives our clothes have led before we come to wear them, or their extreme­ly con­vo­lut­ed con­struc­tion. Den­im wash­ing is explored, as well as Jacquard weav­ing and var­i­ous oth­er process­es requir­ing sub­stan­tial skill and labour. Rich colours and beau­ti­ful cam­er­a­work unrav­el how-it-works’ mys­ter­ies that make this tech­nol­o­gy-cen­tred footage a delight to watch, redeem­ing the over­stretched moments of uhhm-ing’ and ahh-ing’ about whether the mis­sion will sink or swim.

Powney’s diver­gence as a design­er raised by activists – inter­est­ing on the first and sec­ond men­tion – is also leant on a lit­tle heav­i­ly, and the parts which explore the prac­ti­cal pro­duc­tion of clothes are far more engag­ing than the fash­ion-world non-chat (beyond that reveal­ing the dif­fi­cul­ty of sell­ing what is vir­tu­ous but expen­sive) which dilute the doc­u­men­tary. But it still pro­vides edi­fy­ing insights into the absur­di­ty of cur­rent mate­r­i­al sys­tems, and hope in the proof that these can be suc­cess­ful­ly and sus­tain­ably devi­at­ed from.

Lit­tle White Lies is com­mit­ted to cham­pi­oning great movies and the tal­ent­ed peo­ple who make them.

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