Donkeyote | Little White Lies

Don­key­ote

26 Oct 2018 / Released: 26 Oct 2018

A person wearing a cowboy hat walking alongside a donkey on a rural path at dusk.
A person wearing a cowboy hat walking alongside a donkey on a rural path at dusk.
3

Anticipation.

You know it’s going to appeal to the animal lover in you.

4

Enjoyment.

For such a simple storyline, the film is rich with emotion.

3

In Retrospect.

A gem of a documentary that you won’t forget.

A ten­der, evoca­tive por­trait of a man named Manolo and his trusty don­key side­kick, Gorrión.

Manolo lives a mod­est life, sur­round­ed by the wilder­ness of South­ern Spain. Despite his ail­ing health and his daughter’s con­cerns, he decides that he wants to walk the famous Trail of Tears’ in Amer­i­ca (in homage to dis­placed Native Amer­i­cans forced from their lands due to an aggres­sive clear­ing act in the 1830s). He will not do this, how­ev­er, with­out his his don­key, Gor­rion, referred to as an insep­a­ra­ble fel­low wan­der­er”. We fol­low Manolo and his ani­mal pal as he attempts to make this bizarre dream a reality.

Span­ish direc­tor Chico Pereira has a sig­na­ture way of com­bin­ing ele­ments of fic­tion and non-fic­tion in his doc­u­men­taries, and this is true for Don­key­ote. The film looks stun­ning. It opens with a shot of Gorrion’s sil­hou­ette against the sky, just before the sun begins to rise and a hint of day­light fil­ters in from below. Slow­ly, dif­fer­ent ele­ments are intro­duced to the shot, like dogs bound­ing around, and it’s a mag­i­cal way of cap­tur­ing the glo­ry of a new day. The breath­tak­ing images of the Span­ish land­scape are often accom­pa­nied by long peri­ods of con­tem­pla­tive silence, which are just as nour­ish­ing as when the sub­jects are talk­ing about their lives.

At the heart of this film is the bond between Manolo and Gor­rion. The most ten­der moments are shared between these two old friends. The scenes with them per­fect­ly cap­ture a silent under­stand­ing between man and ani­mal. At one com­i­cal and touch­ing moment, Gor­rion refus­es to cross a bridge, and Manolo just waits until he can final­ly coax him across.

The lack of action’ in this film is what makes it so pow­er­ful, as Pereira’s cam­era cap­tures the moments that would oth­er­wise pass us by. Focus­ing on one man and becom­ing com­plete­ly invest­ed in his dream and his sto­ry immers­es us in his life. Manolo’s deter­mi­na­tion is inspir­ing. Even though he has been told that his heart can­not with­stand the pres­sure of a big trek, he still chas­es his dream. He knows that he is near­ing the end of his life, and that this is what he wants to do. He wants to be with his ani­mals, among nature, and he wants to walk.

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