Crazy Rich Asians | Little White Lies

Crazy Rich Asians

11 Sep 2018 / Released: 14 Sep 2018

Words by Patrick Sproull

Directed by Jon M Chu

Starring Constance Wu, Henry Golding, and Michelle Yeoh

Two adults, one man and one woman, looking at each other with serious expressions.
Two adults, one man and one woman, looking at each other with serious expressions.
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Anticipation.

A rom-com from the director of Justin Bieber: Never Say Never?

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Enjoyment.

A decadent fever dream of gorgeous people, places and things.

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In Retrospect.

We’re still on a high from Jon M Chu’s swoon-inducing gem of a film.

Jon M Chu’s sparkling Sin­ga­pore-set roman­tic com­e­dy is a water­shed moment for diver­si­ty in main­stream cinema.

It’s rare to see a film like Crazy Rich Asians, adapt­ed from Kevin Kwan’s gild­ed, gos­sipy con­fec­tion of a nov­el, so full of pur­pose. It sees pep­py New York­er Rachel (Con­stance Wu), one year into her rela­tion­ship with the kind­ly Nick (Nick Gold­ing), jet out to Sin­ga­pore for the wed­ding of Nick’s best friend. When she arrives, Rachel dis­cov­ers her boyfriend’s wealthy her­itage and the cul­tur­al quag­mire she has inad­ver­tent­ly become ensnared in.

Con­stance Wu and Hen­ry Gold­ing are charm­ing in the lead roles, the for­mer fur­ther cement­ing her sta­tus as a star on the rise, while Gold­ing show­ing he has the whole­some, clean-cut chops to front roman­tic come­dies for years to come. Then there’s Michelle Yeoh as Nick’s moth­er, Eleanor, an icy light­ning rod of a matri­arch, all pursed lips and pok­er face. Yet Yeoh nev­er lets her char­ac­ter stray into drag­on lady ter­ri­to­ry, Chu art­ful­ly feed­ing in enough moments to human­ise Eleanor. Her respect­ful enmi­ty with Rachel is so com­pelling it could fuel its own spin-off movie.

Chu works won­ders with the mod­est bud­get at his dis­pos­al – just when you think they’ve sure­ly run out of cash the film tran­si­tions to anoth­er jaw-drop­ping moment of visu­al splen­dour. Take the finale, where the dra­ma comes to a head at a lav­ish wed­ding, Chu effort­less­ly sell­ing the rich’ part of the title. With its heady mix­ture of bright, com­ic book aes­thet­ic and a toe-tap­ping, authen­ti­cal­ly Asian sound­track, this is a film that wants you to have fun and doesn’t let up from the get-go.

If you were break down Crazy Rich Asians to its barest bones, the sto­ry might not seem quite as inspired as the jokes or the cast­ing, but even with­in the usu­al rom-com trap­pings the film is bound­less­ly cre­ative. The time-hon­oured makeover sequence, neat­ly sound­tracked to a Can­tonese ver­sion of Madonna’s Mate­r­i­al Girl’, feels dif­fer­ent because of Rachel’s rea­son for chang­ing her look. She’s not super­fi­cial­ly beau­ti­fy­ing her­self in pur­suit of self-worth, but strate­gi­cal­ly com­ply­ing with the opu­lent cul­ture around her.

Even when the film does bran­dish a genre trope here and there, its very trans­gres­sive exis­tence – an all-Asian rom-com set in Sin­ga­pore – allows it to nat­u­ral­ly sub­vert expec­ta­tions. It may fall prey to the odd awk­ward joke or sac­cha­rine moment, but Crazy Rich Asians is a blast from start to finish.

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