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Two soldiers, one in camouflage uniform, equipped with protective gear and holding a weapon, standing indoors.
Review

Warfare review – war, what is it good for?

by Hannah Strong

Alex Gar­land teams up with Iraq War vet­er­an Ray Men­doza for an evoca­tive but emp­ty war film, recre­at­ing a cat­a­stroph­ic day in Rama­di based on the mem­o­ries of Men­doza and his comrades.

2
Anticipation
4
Enjoyment
2
In Retrospect
Four people standing outdoors near a building with red roofs and decorative architectural elements.
Review

Death of a Unicorn review – goodbye horses, good riddance

by Billie Walker

Alex Scharf­man ral­lies togeth­er a cast stacked with comedic actors, but the result of this dull ​‘Eat the Rich’ flick miss­es the mark.

2
Anticipation
2
Enjoyment
2
In Retrospect
A man and a woman seated in a wooden boat in a lush, green forest.
Review

The Score

by Natasha Jagger

Writer/​director Malachi Smyth’s fea­ture debut is a musi­cal heist film that strug­gles to strike the right chord.

3
Anticipation
2
Enjoyment
2
In Retrospect
A young woman with long blonde hair and a thoughtful expression in an indoor setting with colourful abstract patterns on the walls.
Review

Midsommar

by Hannah Strong

Flo­rence Pugh runs afoul of a Swedish cult in direc­tor Ari Aster’s tooth­less fol­low-up to Hereditary.

4
Anticipation
3
Enjoyment
2
In Retrospect
Man in a beige shirt with arms raised against a dark background.
Review

Detroit

by David Jenkins

Kathryn Bigelow returns with this expan­sive, rous­ing and over­wrought cine-autop­sy of the 1967 Detroit riots.

5
Anticipation
3
Enjoyment
3
In Retrospect
Three smiling women relaxing on a sofa, looking at a smartphone together.
Review

Kids in Love

by Josh Slater-Williams

Cara Delev­ingne and Will Poul­ter star in this bland bohemi­an com­ing-of-ager from Chris Foggin.

3
Anticipation
2
Enjoyment
1
In Retrospect