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Two older men wearing hats, one in a waistcoat, standing in a dimly lit room.
Festivals

Dead for a Dollar – first-look review

by Leila Latif

There should be a war­rant out for some­one’s arrest after this dire west­ern from Wal­ter Hill.
Three people on horseback in a rural outdoor setting, wearing period Western-style clothing.
Incoming

Saddle up for Walter Hill’s return to the Western in the Dead for a Dollar trailer

by Charles Bramesco

Willem Dafoe and Christoph Waltz cross paths in pur­suit of a way­ward woman with designs of her own.
Three soldiers in green military uniforms engaged in combat in a wooded area.
In Praise Of

40 years on, Southern Comfort remains a punishing study of male violence

by Johnny Restall

Released in 1981, Wal­ter Hill’s back­wa­ter thriller is at once a cel­e­bra­tion and a cri­tique of mas­culin­i­ty in crisis.
Close-up portrait of a mature man with a greying beard, wearing a grey suit and tie, looking directly at the camera with a serious expression.
Incoming

Walter Hill’s new western pits Christoph Waltz against Willem Dafoe

by Charles Bramesco

They’ll play a boun­ty hunter and an out­law, respec­tive­ly, in the vet­er­an director’s upcom­ing Dead for a Dollar.
A person with long dark hair holding a rifle, standing in a rocky, mountainous landscape.
In Praise Of

Red Earth Resistance – Remembering Geronimo: An American Legend

by James Clarke

Wal­ter Hill’s under-appre­ci­at­ed his­tor­i­cal dra­ma reminds us how pow­er­ful Hol­ly­wood cin­e­ma can be.
Two sports cars racing on a road, with blurred motion and green lighting.
In Praise Of

How The Driver set the LA noir genre in motion

by William Carroll

Wal­ter Hill’s cult film is full of intense car chas­es and silent antiheroes.
Muscular man with tattoos holding a handgun.
Review

Bullet to the Head

by Adam Woodward

Slam-bang action icons Wal­ter Hill and Sylvester Stal­lone bud­dy up for some mus­cle-flex­ing and gunplay.

3
Anticipation
2
Enjoyment
2
In Retrospect