The Dardenne Brothers

Tori and Lokita – first-look review

By Mark Asch

The Dardenne brothers return with a harrowing story of human trafficking in Belgium, centring on two young migrants.

Claire Denis and David Cronenberg headline the 2022 Cannes Film Festival

By David Jenkins

This year’s stacked line-up also includes new work Kelly Reichardt, Ruben Ostlünd and Park Chan-wook – but no David Lynch.

A handful of pre-announcements foretell a robust Cannes slate

By Charles Bramesco

A handful of big names — Elvis! George Miller! Tom Cruise! — have been locked in prior to the official selection.

Young Ahmed

By Charles Bramesco

The Dardenne brothers change tack with this provocative portrait of a teenage Muslim fundamentalist.

review

Bong Joon-ho’s Parasite wins the Palme d’Or at Cannes 2019

By Hannah Strong

The South Korean director’s social satire takes top honours among a mixed bag of winners at this year’s festival.

Young Ahmed – first look review

By Charles Bramesco

The Dardenne brothers’ latest focuses on a young Islamic extremist with a deadly mission.

The first trailer for Young Ahmed courts controversy

By Charles Bramesco

The premise of the Dardenne brothers’ latest has already raised eyebrows.

Xavier Dolan, Terrence Malick headline 72nd Cannes Film Festival

By Adam Woodward

This year’s Official Selection features new works from Jim Jarmusch, Bong Joon-ho and Jessica Hausner.

The 100 best films of the 1990s: 25-1

By Little White Lies

Wes Anderson, Kathryn Bigelow and Wong Kar-wai feature in the final part of our ’90s ranking.

The Unknown Girl

By Trevor Johnston

An exceptional lead performance isn’t enough to lift the latest Dardenne brothers movie to greatness.

review

The Unknown Girl – first look review

By David Jenkins

Adèle Haenel turns amateur sleuth as the Dardenne brothers try their hand at the murder-mystery genre.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design