Sylvester Stallone

Expend4bles review – the living end

By David Jenkins

Surreally awful action spectacle which represents nothing more than the quickest route to a payday for everyone involved in its sorry creation.

review

Rambo: Last Blood

By Anton Bitel

Rambo starts off breaking horses before breaking skulls in this strangely laconic revenge fantasy involving the Mexican cartels.

review

Rambo and the changing face of American politics

By Alex Hess

From the post-Vietnam counterculture to brash Reaganite muscle-flexing to Trumpian nationalism, cinema’s ultimate lone survivor has always held a mirror to US society.

Ana Lily Amirpour is remaking Cliffhanger with Jason Momoa

By Charles Bramesco

He’ll play second banana to a female lead this update of the 1993 Sylvester Stallone vehicle.

Sylvester Stallone is remaking a South Korean gangster epic

By Charles Bramesco

The Gangster, The Cop, The Devil is coming to America.

Rambo’s official slot machine, coming soon to a casino near you

By Charles Bramesco

A licensing deal with Millennium Films could lead to some odd tie-ins.

Creed II

By Kambole Campbell

Michael B Jordan returns as Adonis Creed in this overly sentimental and uninspired rehash of Rocky IV.

review

How Cop Land deconstructed Sylvester Stallone’s legacy

By Jack Godwin

James Mangold’s 1997 crime drama saw the actor once again prove himself against the odds.

The wild, untold story of The Good Life

By Christopher McKittrick

How a ’90s indie movie tried (and failed) to survive stolen golf clubs, an MMA pioneer, Mexican crocodiles and the Stallone brothers.

Creed

By Ashley Clark

A franchise is reborn in sensational fashion courtesy of director Ryan Coogler and star Michael B Jordan.

review LWLies Recommends

The Expendables 3

By David Jenkins

A cast of thousands coalesce for this jolly, bloodless third sortie by those irrepressible, elderly Expendables.

review

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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