Sebastián Lelio

Gloria Bell

By Ella Kemp

Julianne Moore plays a divorcé stepping to her own beat in Sebastián Lelio’s remake of his 2013 drama.

review

Girl, A Fantastic Woman and cinema’s difficult period of transition

By Lillian Crawford

How the language we use to talk about art which explores subjects of gender and identity can evolve.

Sebastián Lelio: ‘We approached it as if we were secretly making a sci-fi movie’

By Carlos Aguilar

The Chilean filmmaker discusses working with Rachel McAdams and Rachel Weisz on his English-language debut Disobedience.

Disobedience

By David Jenkins

Rachel Weisz and Rachel McAdams are unable to lift this hackneyed tale of forbidden love.

review

The best films from the Transilvania International Film Festival 2018

By Patrick Gamble

This year’s festival offered liberating explorations of identity in Adina Pintilie’s Touch Me Not and Sebastián Lelio’s Disobedience.

Daniela Vega: ‘Trans people have existed for as long as humans have’

By Phil Concannon

The Chilean star of Sebastián Lelio’s A Fantastic Woman offers her take on the film’s powerful message.

A Fantastic Woman

By Hannah Woodhead

A star is born in Sebastián Lelio’s drama about a trans woman coming to terms with the death of her partner.

review

Gloria

By Sophie Monks Kaufman

This burnished gem from Chile is a rich and poetic character study of a woman on the look out for love.

review LWLies Recommends

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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