In an ambitious venture, we count down our favourite wholly-original feature films of the last two decades.
Peter Strickland serves up a helping of culinary chaos in his suitably strange fifth feature film.
In the oddball film, Asa Butterfield joins a musical collective using food for unusual, visceral performance art pieces.
A lowkey but interesting line-up comprises the selection for Berlinale’s 72nd edition.
Hungarian animator Nadja Andrasev reveals how personal experience informed her sensual new film Symbiosis.
By Lou Thomas
The cult British writer/director discusses his surreal sartorial horror yarn, In Fabric.
By Anton Bitel
Peter Strickland spins a yarn about a haunted dress in this fashionable freakout.
Peter Strickland’s follow-up to The Duke of Burgundy concerns the movements of an accursed, eye-catching garment.
By Anton Bitel
Joel Horwood and Tom Scutt’s production brilliantly amplifies Peter Strickland’s 2012 film.
Peter Strickland spins a yarn about a very literal phantom thread in his most audacious and bizarre film to date.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
