The directorial duo known as The Archers gave the world resplendent visions of fantasy like Black Narcissus and The Red Shoes.
By Sam Manning
Michael Powell and Emeric Pressburger employed propaganda to potent effect in their 1941 submarine drama.
By Adam Scovell
A visit to two London locations featured in Michael Powell and Emeric Pressburger’s Technicolor masterpiece.
By Leigh Singer
Video essayist Leigh Singer explores the use of the first-person perspective in horror cinema.
By Adam Scovell
The British filmmaking pair’s 1948 masterpiece is an elegant ballet of myth and fairy tale.