By Bella Madge
Although Powell and Pressburger's 1946 fantastical war romance might not be the first film that springs to mind as a bildungsroman, it offers a powerful guiding sentiment.
A rousing personal journey with Martin Scorsese through the films made under the iconic banner of The Archers.
A grand banquet of film has been laid out for the festival's 20th anniversary edition.
A new season organised by the BFI in partnership with Thelma Schoonmaker brings many classic Powell & Pressburger films – including new restorations – to the big screen once more.
Ahead of the BFI's landmark Powell & Pressburger retrospective, the legendary film editor speaks about her relationship with Michael Powell, the process of restoring film, and how Powell & Pressburger influenced Killers of the Flower Moon.
The directorial duo known as The Archers gave the world resplendent visions of fantasy like Black Narcissus and The Red Shoes.
By Sam Manning
Michael Powell and Emeric Pressburger employed propaganda to potent effect in their 1941 submarine drama.
By Adam Scovell
A visit to two London locations featured in Michael Powell and Emeric Pressburger’s Technicolor masterpiece.
By Leigh Singer
Video essayist Leigh Singer explores the use of the first-person perspective in horror cinema.
By Adam Scovell
The British filmmaking pair’s 1948 masterpiece is an elegant ballet of myth and fairy tale.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
