By Sam Manning
Michael Powell and Emeric Pressburger employed propaganda to potent effect in their 1941 submarine drama.
By Adam Scovell
A visit to two London locations featured in Michael Powell and Emeric Pressburger’s Technicolor masterpiece.
By Leigh Singer
Video essayist Leigh Singer explores the use of the first-person perspective in horror cinema.
By Adam Scovell
The British filmmaking pair’s 1948 masterpiece is an elegant ballet of myth and fairy tale.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
