Mary Harron

The 100 Best Films of the 2000s: 25-1

By Little White Lies

A.I., American Psycho and Bamboozled all make the final part of our list – but what will come out on top?

“I saw Bateman as kind of a buffoon” – Mary Harron on American Psycho at 20

By Simon Bland

The director reflects on the creation of one of cinema’s enduring monsters, Patrick Bateman.

The Coen brothers are heading to the 2018 Venice Film Festival

By Adam Woodward

Their feature-length western will screen in competition alongside new works from Luca Guadagnino, Jennifer Kent and Alfonso Cuarón.

How Alias Grace softens Margaret Atwood’s source novel

By Ella Donald

The Netflix adaptation is characterised by the competing visions of writer Sarah Polley and director Mary Harron.

In praise of American Psycho – The capitalist satire come full circle

By Tom Williams

Bret Easton Ellis and Mary Harron’s caustic vision of ’80s consumerism is sadly back en vogue.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design