Ben Whishaw rises to the occasion of essaying the poet, provocateur and political dissident Eduard Limonov.
Yorgos Lanthimos, David Cronenberg and Francis Ford Coppola roll out for France's premiere film jamboree.
By Mark Asch
Kirill Serebrennikov focuses on the relationship between one of Russia’s greatest composers and his adoring, but unloved, partner.
By Mark Asch
Kirill Serebrennikov presents a fascinating, intense portrait of a comic book artist who suffers from a strange illness.
In the latest feature from Kirill Serebrennikov, a resurrected corpse is just one oddity in the surreal grab-bag.
By Mark Asch
Kirill Serebrennikov’s delirious latest offers a strikingly singular vision of life in post-Soviet Russia.
Kirill Serebrennikov and Taraneh Alidoosti have been critical of their respective states in recent weeks.
By Iana Murray
A Leningrad rock star takes centre stage in Kirill Serebrennikov’s Soviet-era tale of youth in revolt.
This shapeless, drama-free dirge through the rock scene in 1980s Leningrad has no place in the Cannes competition.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
