By Iana Murray
A Leningrad rock star takes centre stage in Kirill Serebrennikov’s Soviet-era tale of youth in revolt.
By Sophie Monks Kaufman
This shapeless, drama-free dirge through the rock scene in 1980s Leningrad has no place in the Cannes competition.
Cannes Film Festival
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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
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