Newcomer Helena Howard is astonishing in Josephine Decker’s bold exploration of art and authorship.
The emotional collateral of acting is the subject of Madeline’s Madeline, a unique new film by this exciting writer/director.
Could these be the directors vying for this year’s Palme d’Or?
By Rory Marsh
The ninth film by Quentin Tarantino and a Leos Carax musical are among our hot tips for the year ahead.
A crop of complex and fascinating female characters were at the heart of this year’s LFF.
By Ian Mantgani
Josephine Decker returns with a commanding, emotionally bracing study of teenage psychosis.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
