By Thomas Hobbs
From Mica Levi’s crashing, trap-infused Zola score to Emile Mosseri’s delicate piano work on Minari.
By Thomas Hobbs
From Birds of Prey’s intoxicating mix of rap and pop music to Tamar-kali’s atmospheric Shirley score.
British composer Jim Williams discusses his work on Raw and Beast.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
